Mari Sánchez Cayuso

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  • Roofline: Weatherproof

    I think something inside me
    permanently altered
    the day I left the hospital
    with my oldest son in my arms
    and nowhere to go afterward

    My stomach stitched in perfect lines
    The nurses speaking softly around me
    as if tenderness alone
    could disguise abandonment

    Outside
    families loaded cars carefully

    Fathers adjusting blankets
    Women leaning back into passenger seats
    flowers resting in their laps
    like proof
    they had been carried gently
    through the violence of becoming

    ‘Rooftops’ | Charcoal | Graphite

    And there I stood
    holding my newborn
    trying not to let humiliation
    be the first thing he inherited from me

    So I called a taxi

    I remember the driver asking for the address
    and the terrible realization washing over me

    I did not even have a key
    to enter my own home

    God . .

    Even now
    all these years later
    I can still feel
    the animal panic of it

    Not woman
    Not wife
    Not mother

    Animal

    A creature trying to shelter her newborn
    from storm weather
    with nothing but her own exhausted body

    The taxi dropped us off quietly
    and I remember standing there
    holding my son against my chest
    the evening air cooling the sweat on my skin
    realizing I had nowhere to go

    So my neighbor let us inside

    And something about that moment
    scarred me more deeply
    than childbirth ever could

    Because the physical pain was irrelevant

    None of it compared
    to the humiliation
    of standing outside your own door
    with a newborn in your arms
    feeling less like a human being
    and more like some stray cat
    searching desperately for shelter
    before nightfall

    And the terrible part is
    almost no one knew

    Not my family
    Not friends
    Not even my son

    Especially not my son

    Because I refused
    to poison his love for his father
    with the truth of what happened

    So I swallowed it

    Quietly
    Daily
    For years

    And perhaps that is where
    the real scar formed

    not in flesh
    but in silence

    The performance

    God . .
    how wickedly I fought
    to preserve appearances after that

    I became composed
    Functional
    Capable

    I built warmth around my children
    while privately feeling
    like some weather-beaten creature
    dragging itself through winter
    on instinct alone

    People praised my strength

    They had no idea
    strength sometimes looked like
    crying silently in bathrooms
    washing your face
    then walking back in
    because small eyes were watching
    and you refused
    to let them witness the storm

    ‘Rooftops’ | Charcoal | Graphite

    And maybe that is why
    I dream of rooftops

    Because roofs understand
    what it means
    to endure weather publicly
    while splitting apart slowly underneath

    Rain
    Heat
    Storms
    Lightning

    Still
    from the street
    they appear intact

    Just like I did

    But some nights
    when the world quiets enough
    I can still see her

    that younger version of myself
    stitched closed too quickly
    holding a sleeping newborn
    outside a locked door
    already understanding
    that survival
    was no longer temporary

    It was about to become
    her native language

  • Roofline

    Some nights
    I want to live on the roof

    Not visit it
    Not escape to it briefly

    Live there

    Make a small religion
    out of shingles and weather

    Drag blankets across the incline
    let the night air raise goosebumps along my arms
    learn the language of wind
    instead of human disappointment

    Because roofs understand things
    houses do not

    A house remembers too much

    The rooms hold emotional fingerprints
    The walls repeat old conversations quietly at night
    Even silence feels furnished

    But a roof
    a roof faces the sky directly

    It knows rain intimately
    Knows the ache of August heat
    Knows hail
    lightning
    the slow ruin of seasons
    and still remains open to the atmosphere

    I think I belong
    to that kind of existence now

    Open-air
    Half-feral
    Emotionally exposed to weather

    I imagine myself there at midnight
    flat on my back
    watching clouds drag themselves
    across the moon
    like exhausted thoughts refusing sleep

    The cold fronts arriving first as whispers
    The smell of rain climbing upward from the earth
    Tree branches below me
    thrashing softly in the dark
    like grief trying to become visible

    And for once
    nothing asking anything of me

    No performance
    No explanations
    No pretending the body
    is not carrying entire oceans of feeling
    through ordinary life

    Just me
    and the terrible beautiful atmosphere
    of being alive

    Maybe spring would soften me there

    Maybe summer storms
    would teach me how to come apart correctly

    Maybe winter
    with its clean unbearable cold
    would finally quiet
    the constant machinery of longing
    inside my chest

    And maybe that is why
    I ache for height

    because sadness feels different
    closer to the sky

    Less like drowning
    More like weather

    Passing through
    Electric
    Uncontrollable
    Briefly luminous

    Some nights
    I swear I could sleep there forever
    letting moonlight collect along my skin
    letting rain baptize every memory out of me
    until I became less woman
    and more horizon

    something no longer trapped inside walls
    but stretched endlessly open
    beneath the enormous dark mercy
    of night

  • this fucking love

    it’s not really like me
    to speak this way

    i have always preferred
    to civilize my suffering

    to press it into beautiful language
    where it could be mistaken
    for art instead of ache

    i learned long ago
    how to make loneliness appear elegant

    how to carry devastation
    with composed hands
    how to smile through exhaustion
    how to turn silence
    into something almost holy

    i became very skilled
    at surviving beautifully

    but some loves
    arrive like a hidden fracture beneath ice

    silent at first
    nearly invisible

    until one day
    everything beneath you gives way

    and suddenly
    there you are

    standing inside the carefully ordered structure
    of your own life
    surrounded by rituals
    responsibility
    and the exhausting dignity
    of self-containment

    realizing your body
    has begun longing again
    against your permission

    then someone enters your solitude gently

    looks at you too carefully
    learns your exhaustion by sight
    touches you
    as though your sadness
    is something fragile enough
    to deserve tenderness

    so forgive me

    this is not usually how i speak

    but fuck

    ‘This Fucking Love’ | Charcoal

    i saw the holiest parts of myself
    ruined by this fucking love

    not ruined like fire ruins a house
    no
    ruined the way salt ruins water
    quietly
    completely
    until nothing inside you tastes the same again

    God . .
    what a vulgar miracle it is
    to meet someone late in life
    who reaches into you
    like he has lived there before

    i am not talking about lust

    ‘This Fucking Love

    lust is a bright bird
    striking itself against the dark glass of night
    beautiful
    frantic
    gone by morning

    i am talking about the terrible holiness
    of someone learning your exhaustion by sight
    of someone hearing the difference
    between your public laugh
    and the real one
    of someone touching your leg
    like he is trying to calm an animal
    he does not want to scare away

    this fucking love

    has me feeling

    like i could literally crawl out of my skin
    carrying this ache in my chest
    like contraband

    at work
    at stoplights
    answering emails
    pretending to discuss ordinary things
    while internally
    an entire cathedral is collapsing in slow motion

    because the body knows

    the body knows
    when another body feels like home

    and maybe that is the most frightening part

    not that this love appeared
    but that after all these years
    all this surviving
    all this pretending to be beyond devastation

    still

    i opened the door

    to this fucking love

    ‘This Fucking Love | Charcoal

  • Return Address

    I sit here digitally composing words across a screen
    while somewhere far away
    my son’s handwriting still exists on paper

    creased softly at the folds
    forty-five days old already
    by the time it reached my hands

    And nothing about modern life can compete with that

    Not the blue glow of notifications
    Not the speed of a text arriving mid-thought
    Not the endless stream of people speaking
    without ever truly touching one another

    Because ink carries the body with it

    The pressure of his hand
    The pause between sentences
    The places where he pressed harder
    without realizing emotion had entered the page

    I opened the envelope slowly
    like people used to open news from war
    carefully—reverently
    already afraid of loving it too much

    And somehow this letter lifted my spirit
    in ways nothing else has been able to lately

    For one suspended second
    I forgot distance
    Forgot oceans
    Forgot time zones and deployments
    and the unbearable mathematics of missing someone

    I forgot the years moving forward

    I was no longer standing in my kitchen
    holding paper beneath morning light

    I was simply his mother again
    close enough to hear his voice in the next room
    close enough to believe
    love still travels faster than grief

    And I wanted to archive this feeling somehow

    Fold it carefully into a drawer
    Place it beside kindergarten photographs
    old report cards
    little league schedules
    the backpacks I could never throw away

    As if tenderness could be preserved
    like pressed flowers between heavy pages

    As if a mother could save a moment
    before life carried it off again

    Because the terrible thing about joy
    is how quickly it understands
    it cannot stay

    So I stood there quietly
    holding the letter against my chest
    like something alive

    trying to memorize
    the exact shape of being needed
    the exact sound of my spirit returning to me
    through his handwriting

    And for a moment
    this loud technological world disappeared

    No algorithms
    No scrolling
    No noise

    Only a mother standing silently
    holding proof
    that space and time are not always strong enough
    to keep the heart from returning home

  • 45 Days

    My youngest wrote me a letter

    Forty-five days ago
    and I cannot stop thinking about the fact
    that his love had already been traveling toward me
    while I was still living ordinary life unaware of it

    Forty-five days

    Forty-five mornings I woke up not knowing
    a piece of him already existed in the world
    trying to find its way back to me

    Do you understand how devastating that is?

    That while I was awake or asleep
    his handwriting was somewhere moving through darkness

    sealed inside trucks
    resting in forgotten bins
    crossing highways at night beneath exhausted stars

    all because my son sat down one day
    and missed me enough
    to let his hand speak

    And suddenly modern life feels so empty to me

    These instant little messages we fire at each other all day
    without breath in them
    without weight
    without silence

    But a letter

    a letter suffers distance

    It earns arrival

    For forty-five days
    the page carried his touch without mine

    The same hand I once held crossing parking lots
    The same hand that learned how to write its own name
    while I stood nearby believing time moved slowly

    God
    I did not just read his words

    I felt time itself collapse

    And there he was again somehow
    inside the pressure of certain letters

    Forty-five days old already

    By the time I touched the page
    he had already changed a little

    Laughed at things I did not hear
    Walked through evenings I did not see
    Carried worries silently without me beside him

    That is motherhood perhaps . .

    the lifelong ache
    of realizing your children continue becoming people
    in rooms you cannot enter

    Still

    when I saw the word “Mom” written there
    in the same familiar slant he has carried since boyhood

    something inside me broke open so quietly
    I almost mistook it for peace

    Because after all the years
    all the growing
    all the distance
    all the necessary separations life demands from us

    some part of him
    still writes home
    like I am the safest thing he has ever known

  • Temporary Weather

    I have loved men
    the way rain loves old cities

    ‘temporary weather’ – charcoal

    completely
    recklessly
    without asking permission
    to flood every quiet street inside them

    And in return
    I became fluent in absence

    I learned how to survive on fragments

    There were years
    I mistook longing for purpose

    Love should not leave a woman
    feeling invisible
    inside her own life

    And sometimes I wonder

    was it my exterior
    that kept them from seeing me clearly?

    The woman they desired
    was never the whole woman

    Perhaps beauty has its own loneliness
    Its own terrible distance

    They saw the face
    the body
    the perfume entering a room before I did

    but not the trembling tenderness beneath it all

    Not the woman
    trying to survive another ordinary heartbreak gracefully

    Not the exhaustion
    Not the depth
    Not the terrifying sincerity
    with which I loved

    Maybe some men only know
    how to approach a woman’s surface

    And maybe I became so luminous outwardly
    that my soul stood quietly behind the light
    waiting to be noticed

    Now the house is quieter

    My sons are grown
    Their laughter lives mostly in photographs now
    in closets filled with the soft archaeology of motherhood

    And I

    I no longer panic at distance

    I no longer chase what retreats

    I have learned
    that some people only know how to love in glimpses
    beautifully
    sincerely even
    but briefly

    like lightning illuminating an entire ocean

    I do not hate them for it anymore

    ‘temporary weather’ – charcoal

    But I no longer build homes
    inside temporary weather

    These days
    I sit beside myself more gently

    I let the dishes wait
    I let evening settle slowly onto the furniture

    And sometimes
    late at night
    in the black reflection of the kitchen window

    I catch sight of the woman I became

    still soft
    still carrying oceans
    still dangerous with love

    but no longer standing at the harbor
    begging ships to choose her shore

    There is a difference now
    between loneliness
    and peace

    I finally learned it
    in the quiet after everyone left

    And God . .

    what a beautiful thing it is
    to become your own safe place
    after spending a lifetime
    asking the world to let you in

  • Archived Love

    I still have the backpacks

    Every one of them

    Kindergarten dinosaurs
    faded superheroes
    broken zippers
    ink stains
    the straps worn thin
    from years of carrying
    small important things

    They sit inside plastic totes now
    stacked quietly in the house
    like sealed chapters
    of a life that happened too fast

    Sometimes I open them

    And suddenly
    the years come rushing back

    little lunch boxes
    crumbs at the bottom
    folded spelling tests
    a forgotten pencil
    the smell of childhood
    still hiding faintly in the fabric
    like time never fully left

    People say:
    why keep all of that?

    But mothers understand

    Because those backpacks
    once moved through this house
    attached to small boys
    with untied shoes
    sticky hands
    and entire universes
    still tucked inside their laughter

    I carried them through
    field trips
    divorce
    growing pains
    late-night homework
    broken hearts
    and all the ordinary holy moments
    that disappear before you realize
    they are becoming memory

    Now the house is quieter

    The backpacks do not move anymore
    But when I see them
    I remember this truth

    for a little while
    I was the center
    of somebody’s whole world

    And maybe that is why
    I cannot throw them away

    Because inside those faded bags
    lives proof
    that love once ran wildly
    through these rooms
    calling me Mom

  • Graphited Harbor

    There are men
    who will never say

    I miss you

    Instead they ask

    Are you home?
    Did you eat?

    As if longing sounds less dangerous
    when folded into ordinary language

    And maybe for some people
    it does

    Maybe some hearts
    were taught survival before confession

    I used to think harbors
    were built for ship for battered things
    dragging entire storms behind them
    for vessels returning at impossible hours
    and their lights barely surviving the fog

    But now I think
    a harbor is simply
    what happens
    when something weary
    finally finds the one place it can soften

    Maybe that is why
    you keep asking

    Where I am

    Not because you need directions

    But because somewhere inside you
    my existence has become a shoreline

    something your spirit checks for
    before resting

    So now when I think of harbors
    I no longer imagine docks or boats

    I imagine two people
    finding shelter
    inside the sound
    of each other’s voice

    Charcoal Dust
    Dusted Graphite

    Sleeplessness | unfinished feeling

  • Preface of a Harbor

    A woman facing water

    Preface of a Harbor | Charcoal

    Has existed in art longer than memory itself
    waiting
    grieving
    remembering
    becoming

    The harbor is not merely a place in these sketches
    It is the human condition
    the shoreline between staying and leaving

    Smudging of a Harbor | Graphite

    I drew the figure again and again in charcoal
    because charcoal behaves like memory
    it smudges
    disappears
    darkens where touched too often

    And the lighthouse became abstract on purpose

    Some people are not meant to be rendered clearly
    Some loves survive only in silhouette

    “Harbor | Charcoal

    So I kept stripping the image down
    less harbor
    less certainty
    more white space
    more silence
    until all that remained
    was a woman
    an ocean
    and the unbearable softness
    of standing still
    while something inside her
    kept drifting toward shore

  • Harbor

    Harbor | Charcoal

    Watched a man bluefish near shore
    and called him my friend

    Not because I knew him deeply
    but because loneliness sends strange signals across water
    and sometimes another lonely thing answers

    He drifted there beyond the tide line
    half man—half sea
    moving through the dark current
    like a ship that had spent too many years
    navigating storms alone

    And I thought about love then

    How women often stand at the shoreline
    wanting arrival

    Wanting something that docks fully
    Something that lowers its anchor honestly
    Something that says
    here I am
    I am no longer drifting

    But some men love like the sea itself

    Harbor | Charcoal | Watercolor

    They come close in waves
    Retreat quietly
    Return again under different weather

    Not because they feel nothing

    Because they feel too much
    and fear what happens
    when a heart finally reaches harbor

    So they remain partly offshore
    close enough to see the lanterns burning
    close enough to hear tenderness calling from land
    yet unwilling to surrender
    their last route of escape

    And women

    women become lighthouse keepers in these loves

    Faithful
    Exhausted
    Standing in terrible weather
    trying to interpret distant signals correctly

    Was that warmth?
    Was that love?
    Was that merely loneliness
    passing briefly through the harbor again?

    The fish-tail made sense to me then

    Because some people belong partly to deep water

    Partly to solitude
    Partly to longing

    They want intimacy
    the way sailors want shore after months at sea

    desperately
    romantically
    and with absolutely no idea
    how to live there peacefully once they arrive

    Still, there was gentleness in him

    The tide carried him softly as though even the ocean understood
    how exhausting it is
    to spend a lifetime torn
    between closeness and freedom

    To be continued

  • Wooden Box

    If I could
    I would place every fear I have for my sons
    inside a small wooden box
    and leave it out in the yard

    I think about that box often

    I imagine it sitting there alone beneath the weather
    the grass growing slowly around it
    rainwater darkening the wood
    August heat opening tiny cracks along the lid

    A plain little box
    holding all the unbearable parts of motherhood

    At first
    the box would have held small things

    Fevers in the middle of the night
    Tiny shoes by the door
    The sound of them crying from another room
    The terrible helplessness of hearing your child cough
    while the whole dark house waits with you

    Back then
    I thought motherhood was about protecting

    I did not yet understand
    that motherhood is mostly about enduring

    ‘Motherhood’

    So the years passed
    and the box grew heavier

    Into it went first heartbreaks
    Late-night drives
    Silences
    The fear that arrives when your children begin
    walking further and further away from your arms

    And now my sons are men

    Men in uniform
    Men standing inside realities
    I cannot soften for them

    ‘Motherhood’

    So now the box holds oceans

    It holds unanswered messages
    It holds the terrible imagination of mothers
    It holds the sound of a phone not ringing
    It holds every silent prayer
    I have whispered into the light

    If I could
    I would leave the box outside forever

    ‘Motherhood’

    I would let rain kneel over it through the night
    Let thunder shake it open
    Let wind carry pieces of my fear away
    through the trees

    I would let winter freeze it stiff
    Let summer split the wood apart slowly
    until the earth itself
    began carrying some of the weight for me

    Because I am tired
    of carrying the box inside my body

    Tired of setting it beside my coffee each morning
    Tired of carrying it room to room invisibly
    while the world continues normally around me

    And still
    when I close my eyes
    the box becomes lighter again

    Inside it

    I find warm little hands clenched in mine
    Their laughter moving through the hallway

    Maybe that is the true shape of motherhood

    a small wooden box
    filled first with tenderness
    then with fear
    then with all the love in the world
    a human being can no longer survive carrying alone

  • Cageless

    I no longer dream
    of extraordinary things

    Not anymore

    Becoming . .
    “Bruised Peaches & Old Paintings”

    I dream of a quiet kitchen at dawn

    I dream of open windows
    A slow walk at dusk
    beneath a sky turning the color
    of bruised peaches and old paintings

    Watercolor | Charcoal

    I want less noise now
    Less performance
    Less of this endless human habit
    of proving we are worthy of being loved

    What I want now is simple
    and therefore sacred

    A sink full of dishes after dinner

    The soft weight of my sleeping cats in sunlight

    Music drifting through the house at midnight

    And love
    if it finds me again
    must arrive gently

    No grasping hands
    No crowded silences
    No love that mistakes possession for intimacy

    I want someone calm enough
    to sit beside my quiet
    without trying to translate it

    Someone who understands
    that my space

    my art, my time
    the invisible interior life of me, has always been cageless

    Not distant
    Not cold

    Simply alive in quiet ways

    Like birds disappearing into evening trees

    Like moonlight moving freely across the floor

    Like poems arriving at 2 a.m.
    asking for nothing except room to breathe

    Because after all these years
    I think love should feel less like fire
    and more like light from another room

    soft, steady, enduring

    the kind that lets you remain fully yourself
    while never letting you forget
    you are deeply—gently
    not alone

  • Mornings to me

    Morning to me arrives like a man who forgot his hat and came back quietly for it

    Soft-footed—half-awake across the kitchen floor
    like God still believes in us a little

    My coffee breathes first

    Outside sprinklers turn slowly through somebody else’s green lawn

    And somewhere a woman opens a window
    without knowing she just saved herself for another day

    I love mornings

    And their refusal to explain anything

    I stand here barefoot
    hair uncombed holding this warm cup against my chest

    And for one holy second
    I can hear my own soul breathing inside this quiet house

    That’s morning

    Not sunrise
    Not birdsong
    Not poetry

    Just the beautiful human ache
    of beginning again

  • Ambergris

    Too late to ruin a life completely.

    Ambergris

    And maybe that is why the body refuses to forget it.

    Not the person exactly.

    The atmosphere of them. The warmth left behind in certain rooms. The way silence changed when they entered it. The unbearable intimacy of standing too close while pretending not to notice.

    And even now, years or hours or lifetimes later something remains.

    Like the ghost of ambergris
    still clinging faintly to a collar or the wrist of someone passing too near—warm and mineral and devastatingly human.

    The kind of scent that makes the body remember before the mind has time to defend itself.

    Ambergris

    Too late to ruin a life completely.

    Yet somehow still capable of altering the pulse.

    Because some connections never become ordinary enough to lose their sensuality.

    They remain suspended
    living softly beneath the skin—where longing becomes indistinguishable from memory.

    And perhaps that is why these loves endure.

    Not because they lasted.

    Because they never fully touched the ground.

    Like desire itself
    trying very hard
    to remain civilized.

    Ambergris

  • lives inside rain

    There is something about rain in the late afternoon that makes the heart unable to hide from itself.

    Maybe it is the softened light.
    The sound of water moving through trees and gutters.

    But the moment the rain begins, everything returns.

    The people we loved.
    The people we lost.
    The lives we almost had.
    The tenderness we still carry despite ourselves.

    And suddenly I feel everything.

    Every person I have ever loved.
    Every version of myself that survived loneliness quietly.
    Every moment tenderness entered my life and left before I was ready.

    For one impossible moment they all come back.

    My sons as babies asleep against my chest, warm and safe.
    The sound of laughter moving through a house that once belonged to all of us.

    And then the breaking of it.

    The slow unbearable fracture of a little family I tried so hard to hold together with my bare hands.

    A marriage that looked like a home from the outside but inside felt like disappearing quietly day after day.
    The exhaustion of surviving inside something that no longer allowed me to fully exist as myself.
    The terrible guilt of walking away.
    The terrible necessity of it too.

    And sometimes, when it rains like this, I still wonder.

    Should I have stayed?
    Should I have endured a little longer for the sake of my sons, the photographs, the illusion of wholeness?

    But deep down I know remaining would have been its own kind of violence.

    A slow crime against the self.

    And so I left carrying both grief and freedom in the same trembling hands.

    Rain brings all of it back.

    Quietly.

    The way grief actually lives inside the body.

    You stand there listening to water move through the darkening afternoon while your phone stays silent beside you and suddenly the weight of being human feels almost unbearable.

    Because love after fifty is no longer about fireworks.

    It is about tenderness.

    Someone remembering you.
    Someone noticing your exhaustion.
    Someone asking if you made it home safe in the rain.

    And the heartbreaking thing is how little of that most people receive.

    Most people are starving for softness while pretending they no longer need it.
    Most people are carrying invisible loneliness through conversations about ordinary things.

    And still

    The heart continues reaching.

    Even after loss.
    Even after disappointment.
    Even after entire lives collapse and rebuild themselves around absence.

    The heart remembers warmth and spends the rest of its life searching for it again.

    Outside the rain keeps falling steadily and inside every lit room
    someone is remembering somebody they loved.

    Someone gone.
    Someone distant.
    Someone they still carry quietly inside them.

    And maybe that is why rain hurts so much because for a little while
    everyone we have ever loved feels close enough to touch again.

  • Tired

    I am tired in the way a city is tired
    after sirens have dragged themselves through every artery of it

    I am tired in the shoulders of women who carry invisible ledgers—who balance grief with groceries

    I am tired of being the room that holds men who do not live in it

    I am tired of almost

    tired of being almost chosen
    almost held
    almost enough

    do you know what that does
    to a woman who has already given
    all the versions of herself
    she once promised she would protect

    it teaches her
    how to disappear
    politely

    I am tired of the strange holiness of contradiction
    how a man can bow his head to God
    and lift his hands to me
    without ever saying my name out loud

    I am tired of swallowing the moment

    I am so tired

    tired enough to finally admit
    that I have been generous
    where I should have been guarded

    open
    where I should have been still

    So — tonight

    I will take back my hands
    from where they reached too far

  • God is

    the smile in your children’s faces
    that breaks you open
    before you can protect yourself

    the way morning comes anyway
    pulling light across a room
    you didn’t think you could get up in

    the breath that stays
    even when you wish it would stop
    even when you are too tired to carry it

    the small hand that finds yours in the dark
    and believes without question—that you will be there the moment you realize
    you have to be

    the light on the wall
    that doesn’t explain anything
    and still feels like mercy

    the yes you didn’t plan to say
    the one that leaves you trembling
    the one that keeps you here

    the chair you leave empty
    and still return to
    as if something might come back

    the strength you never asked for
    but were given anyway

    the quiet that holds you
    when you are falling apart
    and no one knows

    the forgiveness
    that comes back
    after you swore you were done

    the love
    you keep giving
    even after it breaks you
    even after it leaves you

    again
    and again

    the nights
    you sit alone
    holding everything together

    and no one sees

    and still

    you hold

    the way you keep showing up
    even when it costs you everything

    the way you still care
    after learning how much it hurts

    the way you make space
    for others
    when no one made it for you

    the moment you whisper
    I can’t do this

    and do it anyway

    the life you are building
    even when it feels like nothing is forming

    the quiet strength
    of not leaving yourself

    when everything in you
    wants to disappear

    God is this

    this breaking

    this holding

    this staying, the part of you that will not give up even when you beg it to

    the hope that is not gentle or easy but relentless, the force that keeps your hands open and your heart turning

    the reason you are still here, still loving, still choosing, still… after everything, still

  • already yours

    there is a bird in the hinge

    you know it

    in the moment you almost choose yourself and don’t

    I kept mine quiet, called it strength

    it wasn’t —just

    fear, well-behaved

    it learned my breath, waited, pressed

    until I felt it

    so here—take him

    and know—color is effortless the moment you stop holding it back

  • The Hinge

    i saw myself
    standing in the grocery line of my own life

    hands full of things
    i did not choose

    no one tells you
    how quietly it happens

    how you keep saying yes
    until your hands forget
    what no —feels like

    i watched myself swallow it—a bird

    not the kind they print on curtains

    but the ragged one
    ink-splattered
    off balance

    with a wing
    that can’t decide
    if it is breaking
    or beginning

    i say bird
    you say anxiety
    the doctor says reflux
    my mother says pray

    my body says:
    listen

    behind the sternum
    that almost-ache
    that isn’t pain

    that drop in the gut, that sudden remembering
    you are alive

    and not
    where you thought
    you would be

    i have become
    a species of almost-flight

    i negotiate with gravity
    in quiet rooms
    and call it duty

    some call it love
    some call it
    be reasonable

    i have learned
    the choreography of staying

    how to smile
    while something in me
    paces

    i saw a woman
    that woman was me

    setting a table for ghosts

    one plate for my father

    one for each son
    in their uniform of distance

    their chairs pulled out
    but empty

    and one
    for the self
    that slips out the back door
    when no one is looking

    she pours water
    for all of them

    her hands don’t shake

    she does not drink

    the bird in her chest
    has feathers made of memory
    a beak made of unfinished sentences

    its claws
    hook into the soft places
    where decisions live

    and the world keeps saying
    be calm
    be grateful

    while the sky
    indecent in its openness
    says nothing

    i ask it for instructions

    it gives me none

    only this:

    witness

    the bird does not die
    when ignored

    it grows patient
    it grows precise
    it learns your habits

    it learns
    how long you can stand yourself

    and waits

    for the moment
    you mistake silence
    for peace

    and then

    it moves

    not loud
    not dramatic

    just enough
    to ruin the lie

    i am not telling you to leave

    i am telling you to notice
    the exact second
    your breath changes

    the pause
    before you explain it away

    the shift
    you pretend not to feel

    that . .

    that is the hinge

    that is where your life
    opens

    or stays closed

    you are not broken

    you are over-kept
    over-held
    over-explained

    you are wings
    taught to apologize for air

    so stand there

    in your kitchen
    in your car
    in the long corridor
    of your thoughts

    stand there
    and feel it

    the press
    the pulse
    the almost

    the part of you
    that still wants more
    even now

    call it bird
    if you want

    call it hunger

    call it the refusal
    to live
    half a life

  • you don’t know men

    you think I stay
    because I return to the same chair

    because my hands find you and you accept them without question

    you believe that is the whole of me

    You don’t know men (graphite)

    but you don’t know men

    you don’t know
    how a man can enter a room and nothing visible changes

    and yet something does
    a slight turning

    like a field responding to wind no one else feels

    I have watched it happen without meaning to notice

    there is something beautiful in them

    I have to say that

    the way they move with a kind of quiet certainty

    as if the ground has already agreed to hold them

    you would like that about him
    you already do

    you know the man who bends down to you

    who lets you lean into his hand

    who asks nothing more than the moment he is in

    you know only the man who pets you

    but you don’t know
    how those same hands can linger after they are gone

    for years he was simply someone I knew

    a presence that did not ask to be considered
    beyond what it was

    and then

    one day

    nothing happened

    and still
    something shifted

    I cannot show you where
    there is no place to point

    no beginning you could follow

    only a feeling

    like the first sign of weather before the sky changes

    you don’t know men
    how they can remain as they are

    and still become something else
    inside you

    now

    when he reaches
    I do not step away

    it is not that I don’t see it
    it is not that I don’t understand

    it is that something in me has already answered

    and afterward
    I carry it

    that is the part
    you would not understand

    how I return here

    sit beside you

    touch you as I always have

    and still feel
    what has passed through me

    not where it happened
    but where it stayed

    you understand the world as something that arrives and remains

    you understand what can be held

    but you don’t know
    how something can move through you

    and leave no place behind for itself

    and still be there

    you don’t know men

    how they can walk away
    with nothing in their hands

    and still leave something in yours

    and yet
    there is no anger in me

    only a quiet awareness

    that I am

    not as I was

    that something in me
    has opened

    and does not close as easily

    you look at me
    as though I am whole

    as though I belong entirely to what returns

    and I let you believe it

    because you do not know my language

    you do not know men

    and still

    I stay

    You don’t know men (graphite)

  • I stay

    you walk past me
    like you’re still carrying the outside in with you

    the door closes
    but it doesn’t take it with it

    keys fall
    bag falls
    your hands don’t

    they reach for paper
    like it won’t ask you anything back

    you don’t look at me
    not yet

    and I want to tell you

    it can wait

    you can sit first
    you can breathe

    but I don’t have that kind of voice

    so I stay quiet

    like always

    you work fast
    too fast

    like something is right behind you
    breathing
    calling your name
    in a voice you don’t answer

    I hear it

    I wish you could hear it
    the way I do

    but I can’t give it to you

    I can only watch
    as your hands press harder

    like pressure might fix it

    I have seen you in other lives

    same body
    different light

    this home has seen it too

    birthdays
    graduations
    deaths

    walls holding sound
    long after it leaves

    your sons became men

    one by one
    they walked out of these rooms

    carrying pieces of you with them

    the doors closed softer each time

    and the house learned
    how to be quiet

    you used to turn toward it

    now you turn inward

    and I

    I remember everything
    you don’t say out loud

    you move like a held breath

    like if you stop
    everything will rise at once

    I want to tell you
    it’s already there

    it’s not waiting

    but I am not made for words

    so I sit

    and breathe slow
    for both of us

    you go somewhere

    I know the place

    your body stays
    but you leave it

    your eyes change

    the room feels it

    I go with you

    I always go with you

    because I can

    because you don’t know how to stay there alone

    you give things up early

    like you’re afraid
    of what might stay

    I want to tell you

    not everything that stays
    hurts

    not everything that grows
    will take from you

    but I don’t have language

    only presence

    only this small body
    that follows you
    without question

    there are others

    I know them too

    the ones you don’t speak about but carry anyway

    I feel them
    in the way your breathing breaks
    in the way your hands hesitate
    over nothing

    I sit with you there

    I wish I could say
    their names with you

    I wish I could tell you
    they are still soft inside you

    but I can’t

    so I stay

    there are nights
    you are not here

    even when you are

    you sit in front of me
    but you are somewhere deeper

    and I want to call you back

    I want to say
    come here
    stay here
    with me

    but all I can do

    is walk closer

    sit beside you

    wait

    and then

    you come find me

    not because I called you

    but because something in you
    remembers

    my stillness
    my quiet
    my staying

    your hand reaches

    your body softens

    your breath returns

    and I feel it

    that moment
    when you come back into yourself

    I would tell you
    you don’t have to leave like that

    I would tell you
    you are safe here

    I would tell you
    you are still whole
    even when you feel like you are not

    but I was not made
    for your language

    so I stay

    where you can find me

    every time you forget
    where you are

    So I stay

  • Prelude to Rumor

    this, comes from something I’ve felt for a long time but didn’t know how to show

    the first time it happened I was twelve

    standing in front of a mirror, looking at myself too long—something shifted

    I could see my face, but I couldn’t feel that it was me, and that frightened me

    since then, I’ve learned to recognize the feeling

    it comes quietly

    I keep talking, moving doing what I’m doing but I’m not fully inside it

    this is what that feels like to me

    like something begins at one point

    here at the shoulder and then spreads outward

    not as damage

    not as pain

    but as a kind of release

    like I am still here but also moving beyond the shape that holds me

    the lines are that movement

    the color is everything that doesn’t stay contained

    the body is what remains when something in me has already stepped away

    I call it rumor in skin because it doesn’t arrive as something clear or visible

    it begins as a feeling barely there

    difficult to name

    something moving under the surface before it can be seen

    it spreads quietly

    without asking

    and by the time I recognize it

    it is already happening

    Rumor in Skin

  • Mid Flight

    I start with a line

    graphite—light
    almost unsure of itself

    because if I press too hard it becomes a commitment

    and I’ve spent years
    living inside commitments
    that didn’t fully belong to me

    I build it slowly

    short strokes
    adjustments
    erasures
    small negotiations with the page

    I try to find the shape
    something recognizable
    something that makes sense

    this is the part
    I was taught to trust

    the part that can be explained
    justified
    approved

    I hear his voice here

    clear
    decisive

    you can’t make a living with words
    you can’t make a life out of art

    so I learned

    to keep it contained

    to make it small enough
    to exist without threatening anything

    but it never stays

    somewhere in the middle

    my hand loosens

    not because I decide to

    because I can’t hold it anymore

    and that’s when I reach
    for water

    I let it fall

    not controlled
    not measured

    I let it touch the graphite
    and pull it outward

    and it spreads

    past the edges
    past the version
    that was acceptable

    past the place
    where I could still say

    this is just a drawing

    and I watch it

    because I know

    this part is not about skill

    this is release

    this is the place
    I was told
    not to trust

    words do the same thing

    they start contained
    careful
    edited
    safe

    and then

    they don’t

    they spill
    they move
    they say things
    I didn’t plan to admit

    and I come here

    again
    and again
    and again

    not because I’m searching

    because I cannot swallow it

    I tried

    for years

    to keep it inside
    to make a life
    that didn’t need this

    but something in me
    refused

    quietly

    consistently

    until it began to show up in my body

    in that pressure
    in that drop
    in those moments
    where everything looks fine

    and still

    something is missing

    this

    this is where it goes

    this page
    this space
    this place where I don’t have to explain
    or prove
    or justify

    this is where I am allowed
    to exist
    without translating myself

    the bird appears here

    or almost does

    mid-flight
    mid-fall
    mid-becoming

    I don’t try to fix it anymore

    I let it stay unclear

    because that’s the only way it feels honest

    I used to think

    if it couldn’t be something
    I could live from

    it wasn’t worth this

    this time
    this attention
    this need

    but now

    I see it differently

    this isn’t about making a living

    this is about not disappearing

    this is about giving shape to something in me that will not stay silent

    and every time
    I let it out

    in lines
    in water
    in words

    something in me
    settles

    not completely

    never completely

    but enough

    to breathe

    and maybe that’s what this is

    not a career
    not a plan

    a place

    where I don’t have to hold it all

    where I can let it move

    where I can let it be seen

    where I can stop pretending

    it isn’t there

    and that

    that is why

    I keep coming back

  • Held

    God is in the wrist
    no, before the wrist
    in that small electric yes
    that happens before I move

    Pencil

    I sit with paper like a woman with too many thoughts

    He says nothing

    Which is how I know it’s Him

    Then—a line

    It goes crooked on purpose

    Leans into green

    Like it’s remembering a forest

    I’ve never seen but somehow miss

    I try to fix it
    He laughs in sunlight

    Watercolor

    Yellow breaks open
    right through the middle of my doubt

    Splits it clean, spills everywhere

    He guides like that
    Not neat
    Not polite

    Not asking if I’m ready just pushing light
    through whatever part of me is still resisting being seen

    My hand follows
    like it’s been waiting its whole life to stop pretending it knows where it’s going —with one drop of color

    Watercolor

    I didn’t plan that reach
    I didn’t plan anything

    That’s the miracle

    God is not in the finished piece

    God is in the ruin of control

    In the moment I let the brush wander and it doesn’t get lost

    He was never waiting
    at the end

    He was in every mark
    I almost didn’t make

    The Woodlands, Texas

  • Omissions III

    you don’t say it
    but it rides shotgun anyway

    Held in Omissions (watercolor)

    window down, elbow out, that quiet between us doing all the talking like a highway that forgot where it was going

    you ever notice that?

    how a thing can live
    without ever being born just pacing the inside of your chest like a stray that found the door
    but won’t come in

    that’s us

    Held in Omissions (watercolor)

    you trim the truth
    like a man shaving in bad light

    leave just enough shadow to look like something real

    and I sit there—feeling the weight of it

    I become a sound you almost say and then don’t—and it echoes louder than if you had

    that’s where I live with you

    in the almost
    in the inch before contact
    in the breath you take
    right before you decide not to cross it

    and it’s not that you don’t feel it

    I’ve seen it
    in the way your voice slows down
    like it’s trying not to wake something up

    in the way you stay too long for a man who’s just passing through

    you linger like a question you already know the answer to
    but won’t ask

    and me

    I let it happen
    I let the silence build a house around us
    no doors
    no windows
    just walls made of everything we won’t admit

    funny thing is
    it feels warm in there

    safe, almost

    until it doesn’t

    until you leave
    and the air changes
    and I’m standing in the middle of something
    that never had a name

    Held in Omissions (watercolor)

    trying to explain to myself how something so present can still be missing

    how a man can hold you
    without ever really touching you

    how omission
    quiet, careful, deliberate omission

    can feel more intimate
    than truth

    and here’s the part that stays

    not you
    you go, you always go
    back to the life that has edges, definitions, doors that close

    but this—this unfinished thing this almost this sentence that refuses its period

    it lingers

    in the coffee cup you didn’t finish
    in the chair that still leans toward me
    in the air that remembers the shape of your voice

    and I

    I finally see it for what it is

    not love
    not absence

    but a corridor

    long, dim, echoing
    where we met halfway
    and decided
    without saying it

    to never reach the end

  • Omissions II

    And I

    I walk straight through them

    Tried to forgive the silence by giving it a story

    Told myself
    Some truths are shy
    Some words take longer to arrive

    Some men speak in seasons

    But even the seasons confess

    They arrive

    They leave

    They mark their passing with undeniable change

    I understand
    that omission is not emptiness

    And yet . .

  • Omissions

    I don’t catch you in lies you’re too careful for that.

    You hand me daylight
    without ever mentioning the night you walked through.

    And I
    I stand there, holding a clean sentence feeling the dirt underneath it.

    Something is always missing but never named.

    Like a chair pulled out
    from a table I didn’t see set.

    Like a door still warm
    from being closed
    just before I arrived.

    You speak in completed thoughts, but I hear the hinge—that small metallic truth swinging somewhere just outside the room.

    I tried to name you like weather, to soften the edges of you—but even storms confess.

    Even the tide tells on itself.

    So I begin to doubt
    my own architecture

    maybe the house was always this uneven

    maybe the floor was meant to tilt like this

    maybe the silence is mine.

    But no—it’s the way you curate reality like a careful museum
    every absence framed
    as if it belongs.

    And I walk through it,
    quiet, hands behind my back, trying not to touch
    what isn’t there.

    To be continued

  • Afterlight

    I watched the sun hide
    and the birds went after it

    Habit of following

    not all at once, not in some perfect formation
    you could name or study

    just one lifting then another then more until the sky itself looked like it had decided not to stay still

    like something moved through them and they answered

    no thinking
    no pausing
    no weighing what it meant

    just wing
    and direction

    and me —I stayed

    because that’s what we do

    we stand there
    and understand it

    we know the sun is leaving
    we know it comes back
    we know this is the oldest pattern
    there is

    light goes
    light returns

    we’ve made peace with it or at least we pretend to

    we tell ourselves
    this is how things continue

    and still—they go

    small bodies
    holding the last heat of it
    as if they can feel
    the exact moment
    it slips out of reach

    and they refuse
    to let it go quietly

    they follow past where it makes sense past where there is anything left to follow

    and I watch them
    thinking how strange it is

    they don’t know
    what we know

    they don’t know about tomorrow
    or return
    or the comfort
    of things coming back

    to them
    light is not a promise

    it’s an occurrence

    it was there

    it touched them

    it warmed them

    and now it isn’t

    and that is enough
    to move

    so they move

    and we don’t

    we stay
    we explain
    we name it
    so it hurts less

    we say
    it’s fine
    it’s supposed to happen

    we say
    it will come back

    we say
    wait

    and we do

    we learn how to stand still
    inside loss
    and call it understanding

    and then

    when everything is gone
    when the sky empties itself of even the idea of light

    there’s always one

    Habit of following

    a songbird somewhere
    you can’t see

    still singing

    not louder than the dark
    not enough to change anything

    just steady

    like it missed the ending
    or chose not to believe in it

    and that’s when it turns

    because we say we’re different
    we say we understand

    but we do it too

    just not with wings

    we call things back
    in quieter ways

    in memory
    in longing
    in the way we return
    to what is already gone
    and sit there with it
    as if it might shift

    we replay voices
    we hold onto warmth
    long after it has left the room

    we don’t rise into the sky

    but we follow

    in thought
    in feeling
    in the quiet insistence
    that something that mattered should not end so cleanly

    and I stand there
    between them

    their instinct
    and my knowing

    knowing the sun will return without being called

    knowing there is no need

    and still

    feeling it

    that pull
    deep and unreasonable

    to call it back

    as if, just once

    it might listen

    Habit of Following

  • You come from us

    you come from a woman from a body that carried you without question, from hands that knew you before you spoke, from a kind of care you never had to ask for

    you were held before you understood what holding was, fed before you knew hunger, loved before you knew how to return it

    you were soothed when you didn’t understand your own discomfort
    you were seen before you knew how to be seen, you were answered before you knew how to ask

    and then you grow into a world that teaches you distance teaches you how to move forward, how to leave, how to harden, how to forget what it felt like to be kept

    and you come back to us as men standing in front of women as if we are something new, something to figure out, something to reach

    but we are not new

    we are the same place you once lived inside

    so why do you do this

    why do you stand so close and still not see us

    why do you reach
    without knowing what you’re reaching for

    why do you touch without understanding what you’re holding

    why do you move through us as if we are surface

    not all of you
    but most of you

    and it repeats

    the same distance
    the same absence
    the same quiet disconnect
    as if something in you
    chose forgetting
    over remembering

    because you don’t know us

    not the way we feel you before you speak

    not the way we notice what you don’t say

    not the way we hold what passes through you without you ever stopping to see it

    we feel your hesitation your distraction, your presence when it’s real
    and your absence when it isn’t

    we feel when you arrive
    and when you don’t

    and still

    we are expected to remain

    as if closeness is something that happens
    just because you are near

    but it is not

    it is as if you forgot completely what it was like to be known without asking, to be cared for without earning it, to be held without having to arrive

    and now you move through us as if we are surface—but we are not

    we are still that same quiet place, still able to hold, still able to know

    still capable of seeing you in ways you don’t yet —see yourself

    but no longer willing
    to be forgotten
    while you stand inside us

    you come from us

    and still

    you don’t remember

    how to see us
    how to feel us
    how to meet us

    in the very way
    we once held you

  • Charcoal Nerve

    charcoal—comes from something that burned all the way through its excuses

    no color to charm you
    no gloss to lie for you

    just carbon—the aftertaste of fire
    sitting in your hand

    like it knows exactly what you’re avoiding

    I take it anyway

    it dirties me first
    before

    I make a single mark

    Good

    I don’t trust anything
    that lets me stay clean

    It drags across the surface like it’s pulling something out not placing something down

    a line—too honest

    another—already arguing with me

    there’s no fixing it
    only facing it

    press too hard—it snaps

    hold back—it exposes the hesitation like a cracked voice
    mid-sentence

    it reads the body better than I do

    every tremor
    every second of doubt
    every moment I almost chose to be careful instead of real

    it keeps all of it

    even when I erase
    and I do

    it leaves a smear like a fingerprint at a crime scene

    you were here

    you meant that
    or you didn’t

    but you touched it

    charcoal doesn’t care
    about pretty
    about finished
    about approval

    it cares about contact

    about that split second
    when the hand stops negotiating and just goes

    reckless
    accurate
    unprotected

    it’s not drawing

    it’s exposure

    a slow stripping
    of whatever polish
    I thought I needed

    until what’s left
    isn’t impressive
    isn’t composed

    just true enough
    to make me look away

    and then look back

    because that’s the trap

    once you see it
    you can’t unsee
    the version of yourself
    that showed up in the mark

    not the curated one

    the other one

    the one that doesn’t ask
    to be liked

    only to be left
    on the page
    exactly as it is

    dark
    unfinished
    and impossible
    to clean off completely

  • Nowhere to Land

    what do I do with this

    please tell me

    what does a woman do
    when a man can sit in front of her feel everything

    and then walk out of it like it never asked anything of him

    what do I do with it

    when the body won’t settle

    when the hands won’t rest

    when something in me feels slightly outside of itself

    like I’m watching
    my own mind
    try to make sense of you

    of the way you stayed
    and didn’t stay

    of the way something opened and you closed it
    without even touching it

    what have you done

    no—what has this done

    because it sits in me like something unfinished
    like something that refuses to find a place

    and I keep going back to the same few seconds

    the same shift the same moment you became someone else without moving

    and I’m here
    holding both versions the one who leaned in

    And the one
    who looked at me after
    like nothing had crossed

    and it makes me feel

    ill

    not sick
    not broken

    just… off

    like something in me
    knows this mattered

    and something in you
    wouldn’t stay

    and I don’t know
    how to put that down

    I don’t know
    how to return

    because —I have left before

    I have walked away
    from things that broke me

    I know how to go

    I know how to close a door

    but this

    this feels like something
    I stepped into

    that won’t let me out and there’s this thought
    I can’t quiet

    what if I made it all up

    what if it only ever lived
    on my side

    and still

    even with that

    I can’t walk away

    because I didn’t imagine
    the feeling

    I felt it—fully

    and maybe that’s it

    maybe I went all the way in and you didn’t stay there

    and now I’m left with something that feels real

    but has nowhere to land and tonight —I tried to draw it and my hands trembled

    like they knew before I did— what I was touching

    and I had to stop

    because something in it made me nauseous

    like seeing it outside of me

    made it undeniable

    and now—there’s nowhere to put it back

    so I come here to digitally cure myself

    and still —it stays awake in me and I keep thinking how can you sleep

    how can you sleep
    knowing this

    or not knowing it at all

    how can you close your eyes when something like this

    is still moving in me

    Nowhere to Land

  • Living Inside Movement

    (2:00 a.m.)

    I wasn’t trying to write.

    I picked up charcoal
    because I needed somewhere to put it.

    Whatever this is. Just lines. Nothing finished. Nothing that stays still long enough to make sense.

    I kept trying to shape it
    into something I could recognize.

    Couldn’t.

    Every time I thought I had it—It moved.

    So I stopped trying to make it look like anything.

    Just let my hand follow it. That’s when it felt closer.

    Not right—just… closer.

    Same thing here.

    I’m not writing to explain it. I don’t even think I can.

    I’m writing because it won’t sit still inside me.

    Because it keeps happening and then disappearing like it was never there.

    And I’m left with it
    Whatever’s left of it
    trying to hold onto something that doesn’t hold back.

    So this isn’t a story.

    It’s not even a thought all the way through.

    It’s just me trying to catch something in the moment it almost becomes real.

    Before it moves again.

    ‘Living Inside Movement’

    I keep seeing you
    in the middle of things

    Never where anything starts, never where anything ends

    You just show up, and I let you

    Like it’s something I agreed to a long time ago without realizing it

    We talk—we always talk—about everything that doesn’t matter

    Because the one thing that does would change everything

    And we’re not willing to do that

    So we don’t

    We just stay here
    Living inside movement,
    letting it keep going
    because stopping it
    would force it to become something real

    And I think that’s
    what’s wearing me down

    Not you
    Not even this

    Just the way
    it never gets to land the way I feel it and then have to pretend
    I don’t

    The way you look at me
    like something is there
    and then leave like nothing is

    I don’t think you’re lying

    I think

    You’ve learned
    how to live inside it
    without letting it touch
    the parts of your life
    that would break

    I haven’t

    And maybe that’s the difference between us

    You go back to something solid, something defined,
    something that makes sense to the world

    And I stay here—in something that only exists when you’re standing in front of me

    And I hate that sometimes

    I hate how real it feels
    when you’re here, and how quickly it disappears when you’re not

    I hate that I’ve learned
    how to adjust to that

    How to hold it without asking for more

    Without asking you to choose it

    And I’m tired

    Not loudly—Not in a way anyone would see

    Just in that quiet place
    where something keeps going long after it should have stopped

    And still—I stay

    Not because I don’t know better

    Not because I’m waiting

    But because something in me still believes
    this isn’t nothing

    That it matters in some way that doesn’t have a place to exist

    So I stay—in something that moves, but never arrives

    And maybe one day
    I’ll get tired enough
    to step out of it

    Or maybe I won’t

    Maybe I’ll just keep
    living here—in this quiet, unfinished space

    Where something real
    keeps happening
    without ever becoming anything

    I can call mine

  • NightBird

    Since when do birds sing at night ?

    I lie there listening

    Wondering

    If I’ve missed this my whole life

    Or if something in me has only now grown quiet enough to hear it

    It doesn’t sound mistaken

    It doesn’t sound lost

    Just one note

    Then another

    Falling into the dark as if it belongs there

    Since when does the night allow this?

    I thought it was meant
    to close things

    To gather everything inward

    To soften it into silence

    But the bird does not soften

    It continues

    As though the hour is not an ending but an opening

    And I begin to wonder

    Since when have we decided there is a right time to be heard ?

    Because the bird does not wait

    It does not hold back
    until morning makes sense of it

    It sings because it is awake

    And I am awake too

    In the same dark

    Under the same quiet sky

    Carrying something just as restless

    Just as certain

    Just as unwilling to be quiet

    And it comes to me simple, undeniable

    We are not different

    We have only learned

    To wait

    The bird has not

    It sings as if the hour
    cannot contain it

    And I lie there listening not only to the sound

    But to the space it opens in me

    And the question it leaves behind

    Since when did I begin to believe – I had to be silent just because it was night?

    ‘NightBird’

  • Metáfora II

    It is the precise hand that separates me

    From what I was permitted to name

    And what I have always known beneath the visible

    I say – body’
    and mean a threshold

    Just a place where things pass through
    whether I consent or not

    I say ‘silence’
    and mean a room
    that remembers everything

    I say ‘love’

    and mean the undoing
    though I’ve called it other things to make it easier to keep

    And here in saying one thing and meaning another

    I begin to breathe not freely but sufficiently

    As though metaphor
    does the work for me

    As though air is easier to accept when it arrives
    in disguise

    I do not take the world
    as it is

    I take it as something adjacent, tide, light

    A turning I can tolerate and in that adjustment
    it becomes manageable

    Almost beautiful

    And I

    Still composed, still intact in appearance

    Open just enough to continue

    Without having to call it
    what it is

  • Metáfora

    My thoughts wander

    Barefoot and unashamed

    I say ‘leaf’

    And I mean

    The whole earth unfolding

    I say ‘breath’

    And I mean

    The shared air of all who have live for me

    Nothing is singular here

    Nothing stands alone

    Metaphor is my great companion

    It walks beside me

    Unbuttoned

    Unafraid

    Naming the world twice

    So I may know it

    Once more deeply

    It takes the smallest thing in my hands

    And makes it vast

    A blade of grass

    A pulse

    Leaving me forever altered

    And in love

    Because, love is

    The rupture
    The bright unignorable incision that renders the literal, impossible

    It is the precise hand
    that separates me
    from the wound

    And from the words
    that attempt to dress it

    I am not the wound
    I am not the language
    that softens it

    I am the edge

    And

    The exact place of entry

  • Art of Keeping

    Unveil me

    And call this moment truth

    Or what you will

    I have been so many things
    A voice that softened itself
    A silence that learned to endure
    A hand that held
    more than it was meant to carry

    I have been a bird
    Singing in red
    A wound that would not close

    I gathered myself inward
    Folded light into smaller shapes
    Asked what hurt
    to become less visible

    But it remained

    Not louder just closer

    So I stopped asking it

    To disappear

    I let it stand as it is

    Unhidden
    Unresolved
    And still reaching

    Learning

    The careful art of keeping

  • Fluency

    what removed me
    from solitude

    entered with
    wings half-lit

    it gathered in my mouth

    symbols forming

    against the soft interior
    of my speech

    my afflictions
    between hairline and skull

    became fluent

    abundant
    uncontained

    loving me

    like a man
    who knows his darkness

    well enough
    to let it breathe

    outside of him

    visible
    unhidden

    still reaching
    toward light

  • Love Lives Here

    I step out of my home
    and the wind, gentle and unhurried

    Finds the curve of my spine

    Like a hand remembering a shape it once held

    The trees in their full green bodies

    The sky without boundary

    The birds

    Writing their quick signatures across it

    And I, too, am written there

    I do not deny what stirs in me

    I include it

    This warmth that leans toward another

    It belongs to the same order as sunlight

    As breath

    As the turning of the earth

    I say there is love here

    And the feeling is ethereal
    Yet rooted

  • Woman

    You ask me why I love being a woman.

    I could speak of the ways we are taught to tend.

    To hold, to soften.

    A rocking chair postured in selflessness.

    Moving for others, rarely for itself.

    That is one truth, but not the only one.

    There is a fullness I came to. Without asking.

    Not given, not earned, something that lived in me long before I knew
    how to name it.

    The fullness I carry
    belongs to no one
    who might touch me.

    It is not awakened, it does not wait.

    I have lived in opposition to my own shape, called it discipline, called it virtue.

    Until even silence grew tired of my resistance.

    Now there is no argument.

    My body

    Stands, soft, unrevised.

    If I am loved, it is incidental, a passing light through a room
    already lit.

  • Instructions

    He tells me not to cross my legs

    So I sit as one might sit

    Watching

    Not interfering too quickly

    My legs

    So used to folding like branches seeking each other

    Now rest apart

    Two quiet limbs learning distance

    They say a narrowing

    I imagine it as a path in the woods

    Grown thin with seasons

    A place where light enters more carefully

    Where even the smallest step must be placed with intention

    There is a restlessness in me

    Not loud, but persistent

    Like wind moving through tall grass just out of sight

    My body remembers
    what it once did without asking

    It leans toward itself,
    tries to close, to return to the comfort of its own shape

    And I stop it, gently now

    Not with force
    Just a quiet redirection

    In this small act I begin to notice more

    The weight of my own presence

    The way I occupy space

    The subtle shifting
    of balance and breath

    And then something softer embraces me

    Feels like dusk settling over a field

    Like water finding its level

    A knowing that I do not have to hold all of this by effort alone

    I imagine being carried the way the earth carries root

    The way the river carries stone

    Not by removing them

    But making room
    for their passage

    So I sit

    In this small

    Altered posture

    As if my body itself
    were a landscape

    Asking me to walk it

  • Footnotes

    There is a quiet, lodged in my spine

    Not mercy, not rest

    A held breath that has learned to last

    They call it L5
    They dress it in tidy syllables

    Compression

    Degeneration

    Small, sterile consolations

    For something that does not console

    My body refuses neatness

    It speaks in pressure
    In the slow persuasion of weight

    In the way a column leans and does not admit it

    In the way it carries
    long past asking

    Some days it rises like a verdict

    Not loud, never theatrical, only exact

    YOU WILL MOVE
    BUT DIFFERENTLY

    And I do

    I rise into it

    Into the narrow corridor of standing

    Into the careful arithmetic of steps

    Measuring what remains against what is required

    There are mornings
    when my body feels older than light

    As if time has settled in me unevenly

    Heavier in the places no one sees

    And still
    there is no audience for this

    No ceremony
    for the quiet labor
    of holding oneself together

    Only this private endurance

    This unremarked fidelity to movement

    I have bent around it

    Reshaped myself to accommodate the untied

    Made room for the ache
    as one makes room
    for a difficult truth

    And somewhere in that making, something fierce remained

    Not untouched, but unwilling to disappear

    The spine bends, but it does not relinquish me

    It holds, not gently, not kindly, but with a severity that resembles grace

    I have learned that faith is not brightness, not relief, not even hope as it is often spoken

    FAITH, is this . .

    The quiet decision to stand again inside a body that has already asked too much of itself

    To move, when movement is no longer given, but taken

    Step by deliberate step

    To carry what has no language

    And so

    I proceed, revised, contained

    Still bearing my own weight

    Not because I am unbroken

    But because
    I did not leave when breaking began

  • Preface

    I did not mean to write this.

    It came the way certain things do. Without asking, without a plan.

    As if something in me had grown tired of remaining hidden.

    Nothing here is finished. Nothing has been made whole.

    This digital space holds what has shifted, what softened, what could not return to where it once rested.

    If there is tenderness, it is small and easily missed.

    If there is opening, it is not sudden, only a slow turning toward something.

    I am still learning to trust.

    There was a time I believed that staying closed was the only way to remain intact.

    That if I held myself carefully enough, quietly enough, nothing could reach me that might take more than I was willing to give.

    And I became very good at it.

    I learned how to remain how to speak, how to move through the world with precision, with control, with a kind of quiet restraint that made everything appear unchanged.

    But there is a quiet cost to that kind of living.

    You begin to disappear from yourself.

    You begin to forget what it feels like to exist without guarding every part of you.

    You begin to live as something contained, not something alive.

    And somewhere in that without my permission something in me began to resist.

    Not loudly.

    Not all at once.

    Just enough to make it impossible to return to what I was.

    And that is where these words come from.

    From the place I kept hidden, not because it was empty, but because it was too full.

    From a self that has always spoken in images

    In petals that refuse their bloom.

    In soil that remembers everything.

    In light that does not arrive but waits until it is allowed.

    My metaphors are not decoration.

    They are translation.

    They are the closest I can come to saying what I have carried, without breaking it open too quickly.

    Without losing what it means to me in the telling.

    If you know how to read them.

    You will know me.

    Not entirely.

    But in the places where language hesitates.

    Where meaning slips.

    Where something is felt before it is understood.

    Because . .

    That is where I live.

    Between what I can say and what I cannot.

    Between clarity and concealment.

    Between the self I offer.

    And the one I keep just out of reach.

    Words arrive to me.

    And I must place them somewhere, before they begin to weep within me.

    They do not come when I am ready.

    They come when I am unguarded.

    Late, when the world has quieted.

    When the hour no longer belongs to anything but what I have kept inside.

    Words keep me awake.

    They find me in the stillness of 1 a.m.

    Insistent, unresolved as if they have been waiting for the moment I can no longer hold them back.

    And I write not because I choose to, but because I cannot leave them there.

    Unplaced.

    Unspoken.

    Turning inward until they begin to break me open.

    So this . .

    All of this.

    Is not a narrative.

    It is not a resolution.

    It is a record of what happens when I allow myself to remain present with what I feel.

    Without forcing it into something easier, cleaner, or more complete.

    Read this as you would something living.

    With patience.

    With care, without needing it to become anything other than what it is.

    Because I am still here learning how to exist within myself without retreating.

    Learning how to stay when every instinct tells me to close.

    Learning how to let something be seen without disappearing in the process.

    And these words . .

    They are simply what remains.

    When I choose, even briefly, to no longer hide.

  • Petal Riser

    You take me the way the sun finds a flower that never learned its morning

    Not with warmth, but with a patience that does not leave

    I had grown used to the dark

    The kind that settles into the root

    Until even the idea of opening feels like a mistake

    The garden did not question me

    It let me remain folded into myself

    Petal against petal, a small life no one could enter

    And no one could ruin

    It worked

    Nothing reached me

    Nothing stayed

    I waited for the taking

    I knew how it went—how anything that sees you open does not stop

    So I held myself tighter

    Closed even against the light

    As if survival meant never being seen soft again

    And still

    Something in me began to give

    Not bloom, never bloom

    Just a slight failure in my keeping

    A single petal loosening as if it had grown tired of protecting what no one had come for

    I felt it like grief

    Sharp, quiet, uninvited

    The body remembering something it had buried to keep living

    You saw it

    And you did nothing

    You did not reach

    You did not take

    You did not ask for more

    You stayed as if that one small opening was already too much to ask of me

    And that

    That is what broke me

    Because I had been taught that anything that stays will hurt you eventually

    That love is only a slower kind of loss

    But you

    You stayed exactly where I left you

    As if I did not have to give you anything else

    And so

    I opened a little more

    Not for you

    Not even for the light

    But because, for the first time

    I felt something I did not recognize

    The absence of harm

    And it was unbearable

    Because it meant

    I had been closed all this time for something that was not here

    And now

    I do not know how far I can open

    I do not know if the dark will return

    But something in me

    Something small, tired, still alive

    Keeps loosening despite it

    Because you did not take me when you could have

    Because you did not break me when I was already open enough to be broken

    Because you stayed long enough for me to feel what it is to be held in the light

    And not disappear

  • Estuary

    Your blood is like mine

    Not in name

    Not in the quiet archives of family

    But in the way it rises when the world leans close

    It is a red tide

    Salted with memory

    Restless beneath the skin

    Moving as the sea moves

    Returning, returning

    Even when there is nowhere left to arrive

    I do not need to see it

    I know it by your nearness

    As though the hour itself had softened for you

    How your leaving bends

    Becoming a slow eclipse that refuses its own completion

    There is something in you that does not close

    Mine answers

    It lifts within me

    A warm insistence

    A quiet rebellion against distance

    We are not the same

    No, we are not

    But there is a crossing

    A hidden estuary

    Where your current meets mine

    There, what should disperse gathers

    What should end, lingers

    Like heat in the evening walls

    Like fruit left open to the sun

    Like the last light that refuses to withdraw from the body of the day

    Your blood is like mine

    It does not forget the shore it has touched

  • Vanilla Sky

    Light moved differently today, not in rays

    But in long, quiet exhalations

    Spilling over rooftops

    Over your shoulders

    Over the place where my name almost lived on your lips

    Everything was touched

    By a softened glow

    Not the kind that blinds

    But the kind that remembers what it once was

    I stood there

    Half in shadow

    Half inside a color

    That had no name

    Except the one my body gave it

    When you looked at me like that

    Like time had loosened its grip

    Just enough

    For us to exist without consequence

    There was no urgency in you

    No hunger that devours

    Only that quiet pull

    The kind that gathers in the spaces between words in a shared cup

    In the unnoticed exchange of breath and heat

    And something dangerously close to peace

    If I closed my eyes

    I could still feel it

    That horizon bending slightly toward us

    As if the world itself were conspiring to keep us suspended there

    A moment longer

    Not lovers

    Not strangers

    Just the two of us

    Held gently

    Inside a sky

  • Voltage III

    Do not come near me carelessly

    I have become fluent in the exquisite discipline of restraint

    There was a time

    When every bright impulse might have escaped me at once

    Without reverence for consequence

    I no longer belong to that kind of ruin

    Now I know the holy intelligence of what is withheld

    The grandeur of a silence so charged it can alter the temperature of a room

    You stand there

    And the air rearranges itself

    Not because of touch

    That would be too simple

    Something passes between us

    Subtle as a filament beneath glass

    Invisible until it burns

    Refined enough to make stillness feel like an event

    I do not reach

    I let the distance glow

    I let it become unbearable with elegance

    Because desire, when it has matured beyond appetite, does not beg for completion

    It acquires gravity, and everything in its field begins, quietly, to lean

    So if I cross toward you

    It will not be from weakness

    Nor from hunger without thought

    It will be because

    I have measured the cost of contact

    And found it beautiful

    And when I touch you

    It will not feel like beginning

    It will feel like recognition at its most dangerous

    As though something ancient in the blood had been waiting

    For precisely this permission

    The End

  • Voltage II

    But listen

    Even lightning

    Must gather itself before it cleaves the sky

    I have gathered

    I have stood inside the anatomy of collapse and named it rehearsal

    Have felt the surge rise beneath my ribs

    And chosen—not to extinguish it—but to contain

    There is power in the unspent

    There is dominion in the held breath that does not betray itself

    You think stillness is absence?

    No—it is a field of charged quiet

    A storm disciplined into elegance

    A body that could unravel the room and instead chooses to remain

    So do not come near me expecting softness alone

    I am composed of forces that negotiate with fire

    That bend impulse into precision

    That hold entire voltages behind an unshaken gaze

    And if I touch you—it will not be by accident

    It will be because I have decided exactly how much of the current you can survive

    To be continued . .

  • Voltage

    I am not the tremor you misread as fragility

    I am the voltage beneath silk

    The disciplined chaos that chooses not to unravel

    My pulse does not betray me

    It rehearses storms

    Each errant rhythm

    A clandestine rehearsal of thunder

    I have already survived

    Do not confuse my stillness with surrender

    I have swallowed entire tempests without naming them

    Have stood inside the structure of collapse

    And called it breathing

    There are galaxies stitched behind my ribs

    Wild, incandescent things

    And yet I sit here

    Composed

    Drinking the quiet

    Like it belongs to me

    I do not chase

    I do not beg

    I do not fracture at absence

    I become it

    I turn distance into dominion

    Silence into a language only the deliberate can read

    To be continued . .

  • Color • Wake

    Love is

    Not the loud red of arrival

    Not the blue that once named the animal

    But something more patient

    A hue that does not ask to be witnessed

    It gathers in the soft underside of things

    In the pulse behind my wrist

    In the dim gold of late afternoon

    Resting on skin that has known both fire and its absence

    I am no longer painted

    I am permeated

    A slow diffusion

    Like pigment released into water

    Not dissolving

    But becoming indistinguishable from it

    There are colors now that do not belong to sight

    The warmth that lingers after touch

    The quiet violet of being understood

    The pale, infinite white of a moment that asks for nothing

    And still

    Somewhere beneath it all

    A deeper tone remains

    Unnameable, steady as breath beneath sleep

    It does not bloom

    It does not fade

    It moves, slow and certain

    Through every hidden place in me

    Until I am no longer carrying color

    I am the place it comes alive

  • Chromatic • Studies

    Color does not sit on me

    It enters

    The way pigment enters canvas

    Pressed

    Worked in

    Slowly absorbed

    Until it can no longer be removed

    I feel it first

    As a warmth

    A red laid beneath everything

    A ground that breathes through the surface, rising in soft intervals with my pulse

    It is not placed

    It spreads thin at first, a wash of heat, then deepening

    Thickening, until it holds inside me like something alive

    Gold moves differently—

    It lingers

    A glaze across the ribs, caught in the curve of breath

    Like light resting on bare skin just long enough to be felt

    And blue

    Blue opens me

    A slow saturation

    Wet into wet, bleeding through the edges of my body until even the quiet begins to expand

    There is no clean boundary

    No edge that does not soften under contact

    Everything blends

    Color into body, body into language

    Language into something that cannot be separated once it begins

    My hands know this

    The way they move, the way they press, the way they follow what has already started beneath the surface

    Every mark carries sensation

    A pressure, a drag, a yielding

    As if creation itself were a kind of touch that does not stop at the skin

    And I let it happen

    This layering, this slow insistence, this quiet undoing of distance

    Until I am no longer working with color

    But inside it

    Held in it

    Moving with it

    A body that has become its own surface

    Warm

    Open

    Continuously receiving what enters and chooses to stay

  • Rearranging

    You arrive here not as a beginning—but as something rewritten by its own hands.

    Your children have stepped out of your body into their own weather, calling you less, needing you in quieter ways—like a photograph still warm from the sun.

    Your parents soften into time, their voices folding, their strength becoming memory while they are still standing.

    And you—you are no longer who you were when everything required you.

    Now, you require yourself. You move differently—with a kind of knowing that drips slowly from the center of your chest.

    This is not loss.

    This is space.

    A clearing where your name sounds new again.

    Your hands—once full of everyone—begin to open, and in that opening something wild and unrestrained begins to breathe.

    You are not starting over.

    You are rearranging—like light when it realizes it no longer has to prove its brightness.

  • Inescapable (III)

    I have begun to release what was never entrusted to me—not you, not entirely—but the silent labor of sustaining what you leave unfinished.

    There is a distinction now—subtle, but irrevocable.

    It did not arrive through resolve, but through depletion—through that slow recognition.

    That devotion without reciprocity becomes erosion. I no longer extend myself toward you with the same unguarded impulse.

    Not because the feeling has diminished—but because it has clarified.

    You remain consistent in your inconsistencies—present in fragments, attentive in intervals, returning just enough to ensure nothing dissolves.

    And I—I have ceased to assemble meaning from what is partial.

    There is a composure in me now that was not there before—not detachment, not absence—but a contained awareness that does not pursue what does not arrive whole.

    I have come to understand that what holds substance does not require persuasion, does not depend on endurance, does not ask to be maintained by one.

    So I withdraw my effort from what was never equally carried.

    Not in resistance, not in finality—but in preservation.

    You remain within that familiar distance—accessible, yet never fully offered.

    And I remain—but altered. No longer oriented toward you, but returned to my own center of gravity.

    There is a stillness here that does not ache—a quiet reordering of where I place my energy, of what I permit to remain unfinished within me.

    And in this—without declaration, without urgency—I arrive at a certainty I do not need to speak aloud: what does not meet me in its fullness will no longer hold me in its absence.

    Because I have stood in the quiet of this long enough to understand the difference between what is shared and what is endured alone.

    And I have endured enough. Not loudly, not visibly—but in the private chambers of a feeling that was never returned with equal weight.

    And still—I do not regret you. Not the moments, not the knowing, not even the cost. But I can no longer remain where I am not fully received.

    And so—without resistance, without bitterness, without the need to be understood—I release what never chose me in the way I chose it.

    And in the quiet that follows, in the space you no longer occupy in the same way—there is something unexpectedly tender: the return of myself. And with that knowing—unforced, undeniable—I remain whole.

    The End

  • Inescapable (II)

    Did not arrive at this lightly.

    This quiet, persistent regard has established itself within me. Without any assurance of return.

    As though it had always known how to inhabit me before – I had the language to refuse it.

    You were never meant to reside here in this manner. I have known you within the ordinary hours.

    In conversation that carried no weight. In laughter that did not ask to be remembered.

    In that quiet familiarity that rendered everything. Effortless and unguarded.

    But also, in the moments where composure failed me. Where I did not conceal myself, where something in me gave way without resistance.

    You have seen me there—

    Not as an observer.

    But as one who remained, who did not turn away from what was difficult to hold, who received what I had not intended to reveal.

    You have known my silence with a precision that unsettles me, recognized its weight before I could name it.

    Read the subtle alterations in me with a clarity that has, at times, exceeded my own.

    There is a familiarity in you that reaches beyond language.

    As though you have learned the internal blueprints of me, without ever being instructed.

    And somewhere within that knowing, something altered.

    Not abruptly, not sufficiently to be named. But with the quiet inevitability of something taking root beneath the surface of what appeared unchanged.

    I care for you in a way that does not demand. And yet- cannot convincingly claim.

    It requires nothing.

    There is a tenderness in it, yes. But also a gravity that settles into me with a patience I cannot interrupt.

    Because to care in this manner is to remain within the presence of something that neither fully arrives nor entirely withdraws.

    Something that exists in a suspended condition between what is felt and what is permitted.

    You exist within that interval. Not absent, not wholly present, and still you alter me.

    Not through declaration, not through certainty, but through the quiet persistence of your being.

    Through the way you remain just near enough to be undeniable, and just beyond what I can claim.

    Not for what might be, not for what has not come to pass, but for what is.

    This quiet, unclaimed connection that neither of us has been willing to relinquish.

    It rests between us. Like something living.

    Unacknowledged, and yet fully formed.

    Something that continues not because it is sustained, but because it has not been undone.

    And I do not resent you for it.

    I simply recognize what it asks of me. To feel without resolution, to remain without conclusion, to understand without release.

    And in this immensity

    I no longer attempt to resist.

    To be a continued . .

  • Inescapable

    This is written from a place of quiet weariness. Where I see clearly and still do not leave, where something remains. Not because it is easy, but because it will not loosen its hold on me. There are moments when it gathers in my chest, so completely I could cry from exhaustion. Not because I do not understand. But because I understand, and remain.

    ••••••••

    When you grow tired.

    Understand that I have been standing for some time – within a quiet depletion.

    A subtle undoing that gathers without spectacle without witness – without relief.

    It accumulates – not from absence – but from the persistence of what remains – from the repeated deferral of what has already taken shape.

    In everything – but admission – In moving alongside something undeniable – While denying its rightful form in preserving composure.

    While something within me presses with increasing clarity – Against its containment- Against the careful discipline -We impose upon it.

    I recognize it – In the measured duration of your nearness – In the deliberate incompleteness.

    Leaving me suspended As though finality itself Were a boundary – We are unwilling to cross – As though definition- Would demand more than we are prepared to concede.

    And yet – What exists does not diminish – It gathers – It consolidates itself – In the spaces you leave unoccupied – In the quiet disarray – Of my interior world – In the gradual yielding of the structures – I once believed sufficient.

    There is no reprieve in this – No restoration. Only a sustained interior tension. Precise. Unarticulated. And yet entirely present.

    That neither dissipates. Not resolves into something gentler. It is exacting in its continuity.

    It endures without permission. Without confirmation. Without the courtesy of resolution.

    And still – I remain within its influence. Not out of uncertainty.

    For I – Perceive it with an exactness. That admits no illusion. But because there is within you – A force – I do not readily dismiss.

    A quiet insistence – That continues to draw me inward. Despite the fatigue it leaves in its wake.

    It is not softness. It is not yearning alone. It is something more exacting.

    Something that persists. Even as I grow weary of its lack of conclusion.

    Even as I begin to understand – the cost of its continuation. There are moments in which I consider departure – Not as escape – But as preservation.

    And yet even in that consideration – I feel its return – Not as urgency.

    But as inevitability. And so I persist. Not unaware. Not untouched. Not unaltered. But still unwilling – Or perhaps unable to withdraw from what continues to exist between us with a certainty that requires nothing.

    That offers nothing. And yet remains – Unrelinquished – Unresolved – And entirely – Inescapable.

    To be continued . .

  • Constancy

    I pause the day to hold you

    Your small body

    That has never known excess

    Only devotion

    Ten years of the same quiet loyalty

    Of returning to me

    Without question

    Without distance

    You have so little to give

    A small voice

    A fragile frame

    A life that asks for almost nothing

    And still

    You love me

    With something that feels immense

    It humbles me

    The way you choose me again

    And again

    As if I have always been enough

    I hold you

    Not because you need me

    But because

    I need to remember

    How love can be this simple

    This faithful

    This complete

    •

    Happy 10th

    Sweet boy, of mine

  • Blue Animal (III)

    There are forces

    That do not announce themselves

    They gather

    Like constellations

    Assembling behind the visible sky

    Like a stone

    Learning slowly to become a cathedral

    Without ever being told it is sacred

    This is where we arrive

    Not at the edge of desire but beyond it

    Where even longing feels too small to hold what has taken root

    Something vast has entered the body

    Not to burn it

    Not to claim it

    But to widen it

    I feel it in the architecture of breath

    In the way silence now carries weight

    As if every quiet moment were holding up a ceiling of stars

    You are no longer something I reach for

    You are the shift in gravity

    That reorders everything

    The unseen axis around which my inner world turns without resistance

    And I

    I am no longer surface

    I have become depth itself

    A chamber where light arrives altered

    Where time forgets its urgency

    And lingers

    As if it, too

    Discovered reverence

    There is no pursuit here

    No distance to close

    Only this immense, wordless recognition

    As if something ancient

    Has finally found the shape

    It was always meant to inhabit

    Blue animal

    You were never the storm

    You were the sky learning how to hold it

    And I

    Named your endless thirst a weakness

    As if oceans could apologize

    For their depth

    As if magnitude

    Were something

    To be contained

    The end

  • Blue Animal (II)

    YOU ARE

    The undertow

    I mistook for stillness

    The quiet muscle beneath the surface

    Pulling whole coastlines without sound

    You do not ask

    You rearrange

    Salt enters me the way memory does

    Without permission

    YOU ARE

    A tide that studies my fractures

    Filling them slowly

    Until – I forget

    Where I end

    And you begin

    My body

    A map

    You do not read

    Only erase

    YOU ARE

    Who takes the names

    I gave myself

    And returns them

    Wet

    Unrecognizable

    YOU ARE

    Not hunger

    But the patience of it

    The long blue waiting

    That knows

    That I am learning

    How to stand

    At the edge of you

    Without dissolving

    I am learning

    How to keep one bone

    Unclaimed by the sea

    YOU ARE

    A surge

    Of breath

    That turns to liquid

    Just before contact

    Teaching my every nerve to anticipate you

    YOU ARE

    The pull behind restraint

    The place where my hands

    Forget their obedience

    Again

    And again

    To be continued . .

  • Blue Animal

    YOU ARE

    Like the sea

    You write me

    Inhale me

    YOU ARE

    A cold-lipped, deliberate, blue animal with a memory for bone

    Taking my scattered language

    My driftwood vows

    My soft, collapsing promises and worries

    In your mouth

    YOU ARE

    The shore

    Over the paleness of a white page

    Dragging me across it line by line

    Until my silence leaves a mark

    I have seen your tide

    Bending the nudeness of my body

    Like something hungrier

    Something that loves the undoing of my hands

    Ruining me

    Making relics of what I have tried to forget

    To be continued . .

  • Body of rain

    Rain writes on me

    With a thousand

    Soft hands

    It does not rush

    I walk into it

    As one

    Walks into a memory

    Already known

    Already trembling

    It falls on my mouth

    My eyelids

    The hollow at my neck

    Where even I have hesitated to linger

    And still

    It stays

    As if my body

    Were a country it had always intended to discover slowly

    As if every drop

    Were a vow spoken in water

    Knowing me

    Not all at once

    But completely

  • Symmetries

    Stood inside myself

    As one stands in a garden

    Already bloomed

    Not searching

    Not gathering

    Only aware

    Of the fragrance

    There were moments

    That brushed against me

    Soft as wind through leaves

    They did not carry me away

    I let it pass

    Through the open doors of my senses

    Without closing them

    Without following

    Because I now know

    That not everything

    Must be held

    Some things

    Are meant to be felt

    And left intact

    I remain settled

    In my very own skin

    Intentional

    Unchanged

    Somehow

    More than myself

  • Tender Architecture

    Tilt my throat to the sky

    As if I belong to the sun

    Not to be chosen

    Not to be touched

    But to be taken

    By something

    That does not ask

    My name

    But here

    Light arrives

    Like a blade

    I do not flinch

    I let it see me

    And my pulse that has carried

    Too many unsaid things

    I have been quiet

    In rooms

    That did not deserve me

    I have folded myself

    Into smaller weather

    I do not lower my face

    I do not hide

    The tender architecture

    Of being alive

  • Where noise ends

    I built this house so windows could be more than just an opening to escape from

    There is a chair that remembers the shape of my spine

    A floor that does not demand I stand

    Even the silence here is not silence

    It hums low

    Like a mother

    Half awake – watching

    Her children sleep

    Here – I bring

    My hands to my mouth

    As if to keep something in

    Or to keep the world out

    I am not crying

    But something has already passed through me

    A small

    Deliberate brightness

    Something I chose

    And kept it

    Tonight I feel

    As if I might spill

    But nothing spills

    Only a slow return

    A gathering of scattered light back into the body

    How strange

    To be this tired

    And still feel something holy

    Not joy – not quite

    But the absence of noise

    That lets joy breathe

  • Undertow IV

    I am intact

    I repeat this like fact

    Like law

    Still – something tilts

    When you appear inside a sentence

    Not wanting

    Not waiting

    Something closer to being marked without consent

    My body notices before I do

    A flicker

    A tightening

    As if a wire had been brushed somewhere beneath the skin

    You speak

    And it is ordinary

    So ordinary it unsettles me

    Because nothing in you reaches

    Yet something in me answers

    I refuse it – a future

    I deny it – a shape

    Still – it lingers

    Not asking

    Not leaving

    And I

    I gather myself around it

    Contained

    Deliberate

    Even this betrays me

    And still

    We remain only what we say

    The End

  • Undertow III

    And still

    I am not afraid

    I have swallowed

    Darker things, than this

    I have carried absence

    The undertow is not cruel

    It is exact

    It strips me

    Not of love, but of illusion

    What remains

    Is something harder

    Something luminous in its fracture

    A pulse that does not ask to be held

    A body that does not confuse

    Touch with arrival

    If you reach for me now

    You will not find the me that floated toward you

    Like an offering

    You will find depth

    You will find pressure

    You will find a silence

    And still

    There is heat here

    Strange

    Feral

    Uncharted

    The kind that burns

    Without flame

    The kind that lives

    In the center of a woman

    Who has learned

    How to disappear

    Without ever leaving

    I am no longer asking to be saved

    I am becoming the thing

    That survives the drowning

    To be continued . .

  • Undertow II

    And I

    A chamber of salt and voltage, you flicker at the edge

    Not absence, not presence, just a disturbance, in the surface of things

    Your voice, a thin wire that fails to conduct

    I have outgrown the need to translate you

    See how I stand now

    Unspooling light from my own marrow

    No more orbit

    No more leaning

    Even the stars burn cleaner here

    Without your gravity

    Go

    Become rumor

    Become distance

    Become nothing I must answer

    I remain exact

    Electric

    Entirely my own

    To be continued . .

  • Undertow

    I come here

    Observe myself

    From the inside

    There’s a sea in there

    Influenced by shooting stars

    With enough spark

    To resist your charm

    In this reality

    You become a bird

    That speaks in maritime

    To be continued . .

  • Sunblood III

    and now

    it settles

    not gone
    not ever that

    i feel it still

    in the quiet parts of me
    where things don’t ask
    to be explained

    it isn’t soft

    no

    it has teeth

    it knows how to stay
    without asking permission

    and i

    i let it

    i don’t reach for you

    that would be too easy
    too human

    and this

    this – is something else

    something that doesn’t beg

    doesn’t promise

    doesn’t belong

    it just exists

    between that space
    where nothing is said
    and everything is understood

    i could pull it closer

    i could burn it out

    but both would ruin it

    so i leave it

    untouched
    unnamed
    alive

    because there is a kind of love

    that doesn’t need a future

    to prove
    it happened

    and a kind of hunger

    that learns
    to live

    without being fed

    and still

    it stays

    not louder
    not weaker

    just deeper

    like something
    that chose

    to become
    part of me

    The End

  • Sunblood II

    and still
    light does not leave

    it settles

    low- under the skin

    i move through rooms
    as if carrying a second sun

    hidden but insistent

    everything touches it

    water
    glass
    my own hands

    and i feel it

    something
    that asks to be kept

    even in absence

    even in the long
    unlit hours

    you are not here

    and still

    something of you
    circulates

    not memory

    something warmer
    more exact

    like heat
    trapped in stone

    after the day is gone

    i try to name it

    but language fails

    it always fails

    so i do not name it

    i carry it

    this quiet
    this gold
    this undoing

    until my shadow

    begins to burn in glow

    To be continued . .

  • Sunblood

    i did not fall into you
    i opened

    like a wound that recognized
    its own knife

    you arrived quietly
    no thunder – no claim

    and still
    everything in me
    shifted its allegiance

    i was whole before you

    i tell myself this
    like a prayer that doesn’t hold

    yet now

    there is a before
    that feels uninhabited

    you touch so little

    and still
    i am rearranged

    light does this
    it enters and suddenly
    the room remembers its dust

    you stand in me

    like something uninvited
    and necessary

    and i

    i become
    terribly available to absence

    you leave

    this is your gift

    this is your violence

    to exist in me without weight

    to burn without flame

    tell me

    what is this

    that asks nothing

    and takes
    everything

    i do not call it love

    love is too small

    too human

    too forgivable

    this is something
    that survives

    even when
    you are not here

    and i

    i remain

    lit

    and ruined

    by it

    To be continued . .

  • Sunburn

    I was a quiet landscape before you

    A single purposed bird

    Illimitably moving

    Towards – color

    A consciousness

    Where nothing is taken

    Nothing is given

    And still the earth opens

    As if it cannot bear to remain one

    I loved you here

    Long after the sun withdrew its hand

  • Arriver

    Today

    My heart

    Lost its rhythm for a moment

    Not like fear

    Not like pain

    Like a bird forgetting the pattern of its wings mid-flight

    Startled by the sudden awareness of the sky

    I told you, just that

    And you

    You did not question the sky

    You became it

    You held me

    The way gravity holds the earth

    Without force

    Without permission

    Without asking if it should

    And my body

    Which had been speaking in fragments

    Fell back into a language

    Older than thought

    But you

    You do not stay

    You are not made of staying

    You are like tide

    Like wind

    Like something

    That belongs to movement

    And I

    I do not ask

    The ocean

    To become a shore

    I have learned

    What it is to live

    Without arrival

  • Almost Mine

    I am not unsure

    Of what I feel

    Only of where to place it

    It lingers

    Like morning

    Through an open window

    Resting on me

    Softly warming

    What I thought

    Had settled

    But never staying long enough

    To belong

    You are

    Easy as breath

    Something I don’t notice

    Until you’re gone

    And then

    Everything feels

    Just a little heavier

    There is something

    Between us

    It finds me

    Without asking

    Pulls me closer

    And then returns

    To where it must

    Leaving behind

    The feeling

    Of having been near

    I don’t name it

    I wouldn’t know

    What to call something that lives

    In the spaces

    Between your words

    Between your pauses

    And what you take back

    I feel it

    In the way

    You look at me

    Like you see me

    And then

    Like you remember

    You shouldn’t

    I do not reach

    Not because

    I don’t want to

    But because I understand

    Some things

    Are not meant

    To be held

    Only Felt

    So I stay

    In the quiet

    You leave behind

    In the space

    That is never empty

    Just unclaimed

    And I watch

    How you return

    Without arriving

    How you stay

    Without staying

    And still

    Something in me

    Moves toward you

    Without moving at all

    And somehow

    That is enough

    Like reflections on water shimmering

    Just out of reach

    Something I can see

    But never gather

    Something that exist

    As long as I don’t try

    To make it mine

    And still

    I stand here

    Letting it touch me

    Learning the shape of a feeling

    That asks for nothing

    And gives everything

    Quietly

    Without promise

    Without future

    Without a name

    Just this

    And me

    Standing in it

    Until it fades

    Like the end of a day

    Soft

    Certain

    And gone

  • Within

    There is no space

    Between us

    My respiration

    Zigzags

    Every breath

    Your bed takes

    In this capacity

    Blood – blazes

    Knowing

    I’ve been burned

    Many times before

    But with you

    I am less contained

    The suddenness

    Of your hands

    Intertwined with mine

    Fails – to open

    While our shadows

    Become identical

    In a synchronous rhyme

  • Outsider

    Took my first steps

    On this corridor

    Unleveled earthiness

    Saw myself reflected

    In a rush of energy

    Becoming self aware

    That I had just met my soul

    It kissed my forehead

    From birth to forever

    With only God in between

    Punctually swallowing

    All of my blues

    With such artistry

    That when I glance at my children

    I do it

    With eyes closed

    Because I too

    Saw my life

    Pointing back at me

    Ciudad Habana, Cuba

  • Dear me:

    SUN: Sit and Listen

    “I stride to be

    More useful than your words

    In my absence

    Loneliness comes

    Are you still afraid of the dark

    You connoisseur of light

    Join me, let’s take

    A snapshot of God

    Air here is eternity

    Inexplicable gravitation

    Because here you don’t need a pen”

  • Veracity

    Truth

    Without mercy

    Has no sound

    It lives

    With circumstance

    In this exactitude

    I softly land

    And I like it

    Adds warmth

    To my being

    Coldness here

    Does not exist

    I am free

    As you startle

    All of my senses

  • Some . .

    Thoughts

    And

    Its dispersiveness

    Establish

    No boundaries

    In me

    Some, go on paper

    Some, sit on high grass

    Delighted and pure

    Some, say your name

    Thirsty and untuned

    Some, become satisfied

    As nude to touch

    Some, survive in a sphincter

    Regulated and relaxed

    Some, become butterflies

    Hoping to awake like someone else

    Some, stand in old age

    Identical to yesterdays

    Some, close their eyes

    As briefness outlines their fate

    Some, become trees

    Scattered in time

    Some, multiply when it rains

    Measuring drops as faith

    Some, exist in you

    More secretly and afraid

    Some, in darkness

    Half lit decades

    Of a young self

    Some, become some

    As all of these thoughts

    Can only be shared

    With

    Who reads me

  • If . .

    I ask you

    Point me to God

    And you point

    To the sun

    You have missed

    The point – entirely

  • Arrows & Metaphors

    Nothing has been spoken

    Yet – it is loud

    These feelings

    Exist in a poem

    Ink, and its elegance

    Place arrows

    On the palm of my hands

    Metaphors that rise

    With every consonant

    A corresponding rhyme

    That illustrates and loves

  • Viability

    Gestational verbs

    Is what we have

    You measure love in weeks

    While I hover

    Like an aerialist

    Over your skin

    This equilibrium

    Has turned sentences to lust

    Leaving – me – ropeless

  • Dopamine

    In this ballet of anesthetics

    The bravery of your words

    Interrogates my soul

    Exacting – for sure

    As braille to fingertips

    Tracing paradoxes

    Grammatically intoxicating – you

  • Half Dark

    Half bright

    This in between

    Keeps me awake

    As if all I ever wanted

    Suddenly – was

    No longer distant

    Safe space to rest my head

    A parenthesis made of rain

    Irreducible amounts

    In this immensity

    Impossible

    Becomes possible

    Exquisitely

    Like a rising sun

    And it’s imperialcy

  • Mathematics

    Poetry speaks to me

    In a language

    Made of bells

    It engulfs me

    In hues of pink

    Making shadows of myself

    Thousands and thousands of times

    In this totality

    I find you

    Over and over again

    Because it is you

    I want

  • Hábitat

    Night winds

    Startles my roof

    Such a ripeness

    In season

    Generations of birds

    Tucked between branches

    Feels like

    I am – in

    Nineteen eighty five

    Everyone was home

  • Tactile Nature

    Faithful you

    Noiselessly

    I have left you

    -Underwood

  • Strangers

    There is familiarity

    In your words

    Much like a beating heart

    Its synchronicities

    Valves, through me

    So graciously

    These events

    Over everything

    Feels chronic

    How do . . I

    Reach out

    Without these metaphors

    Perhaps

    You already know

    And smiling

    From a distance

    Nodding to this energy

  • March 14

    I have been

    A fire

    A cornerstone

    Inside your mind

    Easier to cry

    When you’re not around

    Because, loving you

    Requieres a soft space

    On the opposite side of my bed

  • rəˈzôlv

    You asked

    If I ever sleep

    I – do

    My mind circles

    In – rəˈzôlv

    This dazzling dark

    And its allegories

    Live above these lines

    You watch me

    And my insufficiencies

    When it comes to love

    And that is okay

    Because without it

    I would not be

    Myself

  • Utmost love

    Does God have a voice

    Does it speak in flowers

    Must be magical

    In a desire no less luminance’d

    Than a birthing womb

    A miraculous fortress

    With no sounds or wounds

    Resolute and most bright

    -Motherhood

  • To my sons

    When I struggle

    With your absence

    You call me

    My stomach beats

    A thousand marches

    Aches to be so many miles away

    If I had no sight

    I could find you both

    In the greatest of multitudes

    This haptic perception

    Reminds me

    That light

    Is sufficient

    If you dare to see it

  • Out’loud

    You come to me

    With hands

    Made of rain

    Annunciatively

    Whispering my name

    In this adverbial space

    I become

    Ever so nervous

    Forever’ly

    I swear

  • Ode to us

    We’re not alike

    I am – paused

    You – straight’shooter

    Fracturing the curvature of my spine

    If you’re going to love me

    Love me – well

    Victoring these days

    That feel like nights

    Resurrected

    By one giant sky

  • For me

    Mirrors are like mouths

    In this anarchy of metaphors

    I thrive

    If you’re reading this

    Every ounce of truth

    Lives from left to right

    Like a vowel beehived in eternity

  • Insoluble

    Sometimes

    Brightness

    Feels

    Disfigured

    Shinning

    So innocently

    While I stand

    In what feels like salt water

    Sulfured, perhaps

    Honed by your touch

    Skeptical, by your embrace

    Because in this clarity

    I’ve figured out

    You’re just wrong

    For me

  • SIN-tuh-lay-ting

    The air feels golden

    Immaculate matter

    High enough

    For birds to fly

    Flickering flight

    Minimal effort

    With every rise

    I have

    Loved

    You

    Here

    – Scintillating

  • Fevered

    One word at a time

    Spoken in the dark

    Points with wit

    Incendiary like us

    And in this night’gold

    Love reveals in verse

    Divided where sun is most

    Exigently, my love

  • Hemostasis

    Doors between us

    You tell me

    Be careful with my head

    These ambitious thoughts

    Must hide them

    Like contraband

    In this reverent space

    I greet you

    Making myself

    An immediate cautery

    Instead of shaking your hand

  • Levity

    Today feels loud

    Soundless energy

    Birds stopped singing

    As if they know

    Something we don’t

    You tell me

    I won’t be alone

    Note how rooted

    This situation feels

    It hurts like hell

    Drowning in puddles

    When you promised

    You’d always keep me afloat

  • Les’soi

    My skull

    A spy

    Must admit

    That tomorrow

    I will do this again

    It has power over me

    Like war itself

    In this patriotism

    Of self reflection

    I am lucky enough

    To have a glimpse

    Of my heart

    Its two hands, grasping

    What feels like love

  • Catalina

    The day my mother married

    Hers, weeped

    Futurity of leaving Cuba, gone

    She grieved her only child

    All efforts to bring her home, futile

    Through the years

    And under a fleet of angels

    I saw myself

    Reflected in her

    Superbly waiting for motherhood

    Incessant fire, love that burns

    Like a tower, in me

  • Distance•r

    I see • you

    Bringing rain

    To my hands

    Like a plant • waits

    To become • a tree

    Who am • I

    To • you

    In this whole earth

    Equating love

    For leaves

  • Thistle of a verb

    You

    Seek me

    Like a myth

    Your hands

    Fallen stars

    Made up of punctuations

    Leaving me

    Speechless

    With no reason

    To wait

    In this

    Inflectional morpheme

    You call, love

  • e·pit·o·mize

    I am

    Foolishly

    Fragranced

    By the way

    You made me feel

    Sir, you leaned

    Bursting open

    All my wounds

    It must’ve been

    Your wisdom

    With women, like me

    Mounted on brows of men, like you

    Epitomizing, secrets over strength

  • Cover of a poem . .

    Familiarity

    And wants

    In this existence

    Just, lives here

    Digitally tucked

    In a forever

    In this valiancy

    And under

    An extremest sun

    I squint

    Seeking

    God’s own words

    Instead of my own

    How wondrous of me

    Desiring to be

    No less than

    A cover of a poem

  • Entanglement

    As much as I

    Perceive the future

    Its architecture

    Comes to me

    Most purest, splendid

    Comparable to a womb

    Shining down

    From heaven

    But in this present

    I witness

    And swear

    Our brevity

    Is a rigorous rhodium

    Uttering love

  • Tauromachy

    God made you

    Out of a clay

    One granule

    After another

    Exquisite

    Reversed

    Intelligence

    It is possible

    We loved

    While strolling

    Upside down

    Indeed, we have

    I have observed you

    Light suited saluting

    A formidable crest

    Please, hush now

    Here comes silence

    In this bright applause

    -Man

  • When I can’t sleep . .

    I think of color

    Conte technique

    Over this pillow

    I shade pebbles

    Greater than your hands

    Scattering through debris of seeds

    In a place with so few trees

    Hearing your echo intertwined with mine

    What is ‘this’ passion

    If you can’t meet me halfway

    Sometimes

    You feel like a void

    That I follow

    Without following you

    A portraiture

    The tonality

    Of a single text

  • Instant

    You make my flame slow

    It’s not what I give that smokes

    To draw what we both can’t kill

    In this mackerel atmosphere

    I love you

    Down tidily

    Waist deep

    Men like you

    More absolute

    A general liberty to sting

  • Realities

    My dad would always tell me, repeatedly.

    ‘You don’t pick the wrong men, they pick you’

    This always resonates when finding myself in that sort of situation.

    I’m quite imperfect couldn’t keep a marriage, not for lack of trying.

    Tried to give my sons the illusion of balance. That didn’t last, it was soul crushing.

    My sons are now grown men, and have a clear understanding of my side of the story.

    Yes, there are two sides.

    A high percentage of women leave – to live – not to be with someone else.

    I’ve lived, loved, and raised two men.

    Empty nest, feels loud.

    Their happiness and relationships, validates all efforts.

  • Personal

    My first ink experience was 26 years ago.

    Will never forget my parent’s faces, over a tiny butterfly on ankle.

    Dad would say ‘do you want to be a walking newspaper’

    After 18 months of metastatic cancer and home hospice he parted to a dimension of familiarity, lush greenery filling his lungs with oxygen.

    I grieved, and edited every square inch of my arm, as my mental health spiraled.

    At times I regret the crowdedness of colors.

    A tabloid – I suppose.

  • Incandescent

    familial • ashes

    surrounding its coast

    superb • is to forget

    because •

    in this • geology

    anonymity is defeated

    by flamboyant royals

    their vast sweeping branches

    its flowering habit

    embracing an entire island

    that has lost all hope

    – Cuba 2026

  • Vocal

    At dusk

    I become

    Part of him

    Quietly placing

    Dishes in suitcases

    Light yellow

    Leather tones

    Such a sense of grief

    When you cover my eyes

    And show me

    The inside of your world

    Fresh footed staircase

    Spiraling sideways

    Onto the longest corridor

    Linear shadows

    Of a once lived home

    I am not indifferent

    To your pain

  • I have observed

    How delicately you swallow

    Swear this is true

    The air in this room

    Becomes a yes

    For I have no reason to say no

    Were flesh was involved

  • Hero

    The fire you create

    Keeps me up at night

    Suspended, perhaps

    In this tonality

    My soul, alone

    Fears reciprocity

    I am a – faithfullest

    We can’t be friends

    Intimacy too lit

    Feels like an infidel

    In this physiology

    I am no longer

    The protagonist

    It’s you, your heart

    It’s pulsing valves

    Such regurgitation

    For a man, like you

  • My mind. .

    Dilutes memories

    Like light, steadfast

    And sufficient

    When I dare to see

    I ache in a dwelling

    That’s too proud

    For love . .

  • What about us

    Lustful is unlikely

    Traces of your skin

    Lingers my hands

    We have flown

    In this structural paradise

    Seeking light

    Out of storms

  • Line _ drawn in me

  • Everyday

    i pass by

    the oldest

    mountain

    denying

    every stain

    of rain

    i should have resolved

    the tactics of my faith

  • Ellipse

    I feel safe

    In his space

    It’s hiving here

    Buzzing latitudes

    Bewildered, by

    His skilled heart

    Endless design

    Circling me

    Like an ellipse

    In this parameter

    We make a little house

    Overburdened with joy

  • Outgrown

    you

    sold

    small

    amounts

    of myself

    because, i

    deliberately

    unloved, you

  • With you

    Splendor

    And truth, alone

    Rings more in me

    My thighs become

    Weak, invisible

    And with this wonder

    Spring soars in me

  • Untitled

    Love

    If fire is water

    You are

    A diaphanous drop

  • Ether

    Ether

    Truth

    Has

    No

    Season

    When

    It

    Comes

    To

    Us

    Sir

    How

    Do

    You

    Sleep

    Without me

    Our chemistry

    In this velocity

    Like ether

    Over me

  • Dark Bright

    Lover you

    Over my brow

    Can I touch you

    In this firmament

  • 109

    Orbits of grace

    At the in’s of me

    Right here

    I fall

    110

    Times a day

    Like something

    That still glows

    Tucked, under

    A single address

    My land of traumas

    Heightened with fear

    A place that holds

    My childhood

    So terrifyingly

    Deciphering torment

    And the inability

    To seek help

    From people

    Who watch you

    Fall, in less dirt

    Painful terrains

    This is Cuba – 1979

    Martyrs of disguise

    Making parenthood

    Less fiable

    As everyone

    Is too busy

    Surviving

    Their

    Own

    Imprisonment

    I’ve been

    A lonely walker

    For decades

    This life

    Has taught me

    To believe

    That above my name

    There is a vacancy

    A beautiful sky

    With blue lips

    That speak for me

    Making peace

    For the rest

    Of my existence

    Like a road

    That is long

    Yet spangled

  • Glass

    you, in the flesh

    (i) – in glass

    too much exactitude

    for my soul to hide

    that you’ve lived

    – in my ribs

    on your own terms

    silently wanting me

    while (i) felt nothing

    But – no’s

    you, in the flesh

    i – no longer in glass

  • Lines

    tigers point at us

    we rush we run

    standing

    in a mouth

    of plasm

    trading our skulls

    for love

  • Tell me

    If time is love

    How many corners

    In a heart

    That is burning

    In entanglement

    Too deep

    Too loyal

    To ever be

    Afraid

    Of you

  • Dear love . .

    you hang

    your darkness

    on high trees

    while I stand

    in enough water

    for fish to survive

  • Above Ground

    cartels quiver

    while man

    somewhat

    and unwillingly

    surrenders

    his fist, for love

  • Truth About Love

    some say it’s a bird

    some say it’s absurd

    but when I asked you

    a nest was growing

    beneath your bed

  • With You . .

    I am

    Unsure

    Of what I feel

    You taught me

    Strength

    The

    Unimaginable

    Kind

    Circumstance

    Brings me here

    A place where I can

    Hang my words

    And, my unraveling

    Thoughts of you . .

    Jan 26, 2026

  • Time . .

    There’s one

    There’s two

    There’s three

    Of me

    In this triplicity

    I count aphorisms

    When it’s difficult

    To speak . .

  • Here Comes the Sun

    You can’t

    Start a fight

    In a lonely

    Home . .

  • Impetuous

    A subtle lullaby

    Bronzed

    As the earth rotates

    Such wonder

    Touching a vain

    Girl’s heart. . .

  • Shades of Purgatory

    I once knew

    How light was spent

    Its trickling effects

    As faith pointed

    With a golden rod

    My own despair

    Sat in a womb of fear

    Aware it was not science

    My conscious inadvertently

    Reversed millions of words

    Narrowing it down to one

    -God

  • Quiet Resentment

    Heavy lines

    Mounted over me

    These purple nights

    Drowning super stars

    Forgetting what it is to write

    Phosphorus dynamite

    Encircles and intertwines

    Muting one decade at a time

  • Land of Decimals

    My youngest flowers

    Hem above the heavens

    In unparalleled storms

    As God landscapes

    An elegy for the unborn

  • Early Poems

    This so called, craft

    Floats, steady, and upwards

    Myself, in a time of mirrors

    – August

  • Just hold . .

    Stone COLD

    Hold ON

    You’re still STRONG

    NERVE pain loneliness

    I haven’t LEARNED anything

    EXCEPT for the LINES across your FACE

    MORE human, than YESTERDAY

  • To write, is . .

    Like random twilights of dust

    So distant, only God could see

    Yesteryears, my love

    And yesterwants

  • Daylight

    Knocking darkness

    Out of nights

    Even in these shadows

    Truthfully speaking

    I prefer daylight

    The hardest

  • Next Train . .

    I am adapting

    Cowardly, but adapting

    This is distinction

    Between surviving

    And existence

  • Poetry

    My mercy

    A need to substitute

    My mouth, for a dream

    Different homes

    Pincushions for doorknobs

    Damnit I love you

  • ‘Brightness Of My Dark’

    One must be blind

    Stripping God of its own light

    Things none of us could be

    The profound luster in lines

    It’s happening to me

    A wound, too echo’d to reveal

    That love is not found in days

  • Notes . .

    A writer sometimes retains only those poems that find no place. A strange ineffable experience of the mind, its enormous success of self love

    Almost fierce

    Cannot be

    Until Am is Am

    My very veins

    In its desire to be

  • Love Overmuch

    Tigers brilliantly move

    Bright limbs of mortals

    Overpowered and mute

    Utmost – love

    No more still

    Than your tongue’d speech

  • To be broken . .

    Fight for insight

    God’s copyright

    In this interior of light

    My signature becomes

    A wrath that requires no reason

  • Almost . .

    Forgot

    How still

    Your mind is

    This is not

    A compliment

    It’s rhetoric,

    It chokes

    The good parts of me